‘DESTINY OF THE DALEKS’

Please feel free to comment on my review.

Daleks, Davros and Movellans with the Fourth Doctor and (Romana)

“All elephants are pink; Nellie is an elephant; therefore Nellie is pink.”

As 2021 drew to a close, I received the Season 17 Blu-ray box set of ‘Doctor Who’ in the post. This was before I went to check out ‘Spider-Man: No Way Home’ at the cinema in December. I glad I received Season 17 of ‘Doctor Who’ on Blu-ray in the post, since it made an early Christmas present.

Season 17 of ‘Doctor Who’ stars Tom Baker as the Fourth Doctor, Lalla Ward as Romana and K-9 (voiced by David Brierley). Like Season 24, this is a season that tends to divide quite a lot of fan opinion. This also happens to be the third and final season of Graham Williams’ era as the producer.

I became aware of Season 17 of ‘Doctor Who’ to be released on Blu-ray when the announcement trailer on YouTube was released in October 2021. It had David Gooderson back as Davros! I was amazed it was David Gooderson. He sounded more Davros-like compared to ‘Destiny of the Daleks’.

Also, Davros sounded like Emperor Palpatine with that opening line of his, as it echoes the trailer for the ‘Star Wars’ film ‘The Rise of Skywalker’. I was disappointed that Sarah Sutton, Janet Fielding and Peter Davison didn’t return to do some more ‘Behind the Sofa’ items for Season 17 of ‘Doctor Who’.

But I was looking forward to checking out the Season 17 ‘Behind the Sofa’ items with Colin Baker and Matthew Waterhouse, Katy Manning and Nicola Bryant, and Mat Irvine, June Hudson and Graeme Harper. I also looked forward to checking out the other new bonus material in the Season 17 Blu-ray box set. 🙂

The Blu-ray box set of Season 17 of ‘Doctor Who’ is a 7-disc set. The six stories of Season 17 are ‘Destiny of the Daleks’, ‘City of Death’, ‘The Creature From The Pit’, ‘Nightmare of Eden’, ‘The Horns of Nimon’ and ‘Shada’. There are two more versions of ‘Shada’ and bonus material on Discs 6 and 7.

It’s amazing that ‘Shada’ is included in Season 17 of ‘Doctor Who’ on Blu-ray, as that was a story never completed in the making of the season back in 1979. Then again, ‘Shada’ has been attended to a number of times to see its completion before it got its ‘final’ version on DVD and Blu-ray in 2017. 🙂

But ‘Shada’ is something to be talked about another time. Meanwhile, let’s talk about Season 17 of ‘Doctor Who’ from the beginning, shall we? Like I said, this is Graham Williams’ third and final season as producer of ‘Doctor Who’. It was also Tom Baker’s sixth season in playing the Fourth Doctor.

At this point, Tom Baker was considered to be the best and perhaps the most definitive Doctor of them all so far in the series. With his floppy hat, long scarf and love of jelly babies, Tom Baker won the hearts of millions of children as well as the hearts of millions of fans with his ‘bonkers’ eccentricity.

However, with that said, and despite Tom Baker’s Doctor often looking cheerful in the time he spent in the series, it wasn’t always plain-sailing for him when it came to working behind-the-scenes. It wasn’t so bad until it got to Season 18 (his final season), but signs were evident in the proceedings.

Tom’s relationship with producer Graham Williams wasn’t always the smoothest. Quite often, Tom and Graham clashed with each other in terms of how they approached the series. Tom was often ‘bonkers’ mad with some of the ideas he contributed, whilst Graham was pretty reserved than Tom.

Not to say that Graham didn’t give Tom a hard time when making the show compared to producer John Nathan-Turner a season later, but it’s evident that Tom and Graham didn’t always see eye-to-eye. This is a shame, considering Tom seemed to have a happy time in playing the role of his dreams.

Despite the clash between Tom Baker and Graham Williams in the show’s making, a new script editor arrived to make things easier for Tom’s enjoyment on the show. That happened to be Douglas Adams, who was so famous for creating ‘The Hitch-Hiker’s Guide to Galaxy’ and the ‘Dirk Gently’ books. 🙂

Douglas Adams, like ‘Doctor Who’, is someone who can be divisive. You either like him or you don’t. Me personally, I quite like Douglas Adams’ approach to writing and script-editing ‘Doctor Who’. He sought out to find a balance of comedy and drama in ‘Doctor Who’, which I often enjoyed watching.

Sometimes that can be too much of a good thing. But after impressing Graham Williams and former script editor Anthony Read with his efforts in ‘The Pirate Planet’ for ‘The Key to Time’ season, it seemed like Douglas Adams was to be an ideal candidate to take over as script editor for Season 17.

But as it turned out for Douglas Adams, it wasn’t always plain-sailing when it came to script-editing ‘Doctor Who’s seventeenth season. That’s something I hope to clarify as we explore each of the six adventures made during Season 17 of ‘Doctor Who’. With that out of the way, let us begin, shall we?

The season, of course, begins with the four-part adventure called ‘Destiny of the Daleks’ by Terry Nation. This happens to be Terry Nation’s last contribution to ‘Doctor Who’ as a writer. At the time, Terry had created other TV shows such as the sci-fi ‘Blake’s 7’ and the apocalyptic TV show ‘Survivors’. 🙂

Although credited for being by Terry Nation, Douglas Adams wrote most of the dialogue and the interaction between Tom Baker and Lalla Ward’s characters as well as adding more humour to the proceedings itself. This was due to the fact that Terry Nation’s scripts were very thin in their delivery.

Now that’s not an uncommon thing regarding Terry Nation. After all, Terry Nation delivered half of the scripts for ‘The Daleks’ Master Plan’ before Dennis Spooner and Donald Tosh took over. Also, it’s understandable Terry Nation was busy in working on other projects at the time this story was made.

The same thing can be said for Douglas Adams who was working on ‘Doctor Who’ and a number of projects for ‘The Hitchhiker’s Guide to the Galaxy’ such as the book and the TV series as well as the second season for radio. It tainted on how Douglas handled his time being the show’s script editor. 😦

That’s something we can talk about another time. As well as Tom Baker’s return to ‘Doctor Who’ in Season 17, ‘Destiny of the Daleks’ also features the debut of Lalla Ward as Romana in ‘Doctor Who’, taking over from Mary Tamm who previously portrayed Romana in the show’s ‘Key to Time’ season.

Although being her debut as Romana in ‘Doctor Who’, this is technically Lalla Ward’s second appearance in the show as she previously played Princess Astra in ‘The Armageddon Factor’. There’s also debate regarding Romana’s regeneration in this certain Season 17 story, which we’ll discuss later.

I first received ‘Destiny of the Daleks’ on DVD for Christmas 2007. I recall watching this story on DVD before checking out the 2007 Christmas Special ‘Voyage of the Damned’ with David Tennant on TV. And that was the first time I actually watched a proper ‘Doctor Who’ episode on TV that Christmas. 🙂

I enjoyed ‘Destiny of the Daleks’ when I first saw it on DVD in 2007. With that said, I don’t think ‘Destiny’ is one of the greatest Dalek adventures ever made in the show. Some will debate that, considering they might approve of the story’s visual look as well as some aspects of the story itself. 🙂

However, I found this story rather slowly paced and lacklustre. I wished for the action sequences to have been better. I also felt that with more music, the story would’ve been stronger and more compelling. Even with the CGI effects option added to the story, it didn’t really help matters for me.

Now with the story released on Blu-ray, I was able to enjoy it with the CGI effects option as well an enhanced 5.1. surround sound audio option featuring additional music composed and realised by Tristram Cary from the original ‘Daleks’ story with William Hartnell. It did make things a little better.

It still doesn’t change my mind about how I perceive this story, since there are aspects about the development of the Daleks and how their conflict with the Movellans is handled that I don’t entirely agree with. But hearing Tristram Cary’s music in the enhanced option made the tale more enjoyable.

Like I said, the story is heavily influenced by the humour provided by Douglas Adam in the script-editing for the show. Now I do like Douglas Adams’ approach to humour in ‘Doctor Who’ at times, but very often that’s more in the stories he writes rather than the stories that he script-edits for the TV show itself.

When he’s script-editing stories that were penned by writers like Terry Nation, David Fisher, Bob Baker and Anthony Read, they can be uneven in their output. Quite often, the humour speaks out more than the drama and sometimes some actors can be a little over-the-top in their performances.

Now with all of those things said, ‘Destiny’ is a story that contains some intriguing ideas by Terry Nation concerning the Daleks’ development. This is especially as they try to seek out and dig up their creator Davros, whom they killed at point blank range during the events of ‘Genesis of the Daleks’. 🙂

And he miraculously survived! Over the years, Davros has become a popular character, thanks to being in ‘Genesis’ and his resurrection in ‘Destiny’. But I don’t know. Having him come back in ‘Doctor Who’ when he could’ve been left for dead might have really hampered Dalek stories after that.

In the remainder of the classic series, Davros appeared in every Dalek story including ‘Resurrection’, ‘Revelation’ and ‘Remembrance’. Thank goodness that the new TV series has more Dalek stories without Davros in them, but I’m not sure if Davros can be at times over-used in the latest ‘Doctor Who’s.

Incidentally, ‘Destiny’ happens to be the first ‘Doctor Who’ story since ‘The Key to Time’ season to go back to more traditional standards as each story in Season 17 isn’t linked an overarching theme. I’m pleased Graham Williams didn’t have every season of his have stories linked by a certain theme or arc.

In some respects, it’s better to have future ‘Doctor Who’ seasons like ‘The Trial of a Time Lord’ and ‘Flux’ happen once and a while, as there needs to be plenty of variety in each season for ‘Doctor Who’ fans to enjoy. Thus, there are more stories to enjoy in Season 17 than it just be only one story.

In ‘Destiny’, the Doctor and Romana visit Skaro as they explore the city ruins. They’re initially unaware that they’re on Skaro before they find the Daleks are on the planet and that they’ve come to recover Davros. The Daleks want Davros to program their battle computers (more on this later). 😐

It transpires that the Daleks have been fighting an endless war against the exotic-looking Movellans who have also come to Skaro. Like the Daleks, the Movellans want to take over the universe and be the dominant species in existence. But I don’t know. The Daleks are more impressive than the Movellians. 😀

A big issue I have with ‘Destiny’ is the Daleks themselves. I found them very annoying. This is because the Daleks are very monotonous and repetitive in some of the phrases and orders they say and bark out like “SEEK AND LOCATE!”, “DO NOT DEVIATE!” and “LET NO OPPOSITION HALT YOU!” 😐

The Daleks are voiced by Roy Skelton (who was voicing George and Zippy in ‘Rainbow’ at the time) as well as David Gooderson (who plays Davros in the story). I don’t know if it’s me, but I found Roy Skelton’s Dalek voices becoming increasingly harsh by the time ‘Destiny of the Daleks’ came along. 😐

Now, I know the Daleks are meant to sound more robotic compared to the organic creatures they used to be when inside their metal shells. But I’ve written better Dalek dialogue in ‘Doom of the Daleks’. The latest TV and Big Finish stories have far more intimidating Daleks than ‘Destiny’s Daleks.

The scene where the Daleks crash in on Romana and say “DO NOT MOVE!” is repeated about seven times. Three times would be enough! Seven times makes me cringe! However, when a Dalek orders mine-workers “SILENCE!” three times in that monotonous tone, it sounds quite painful to hear here.

Now I’m not trying to make out Roy Skelton’s Daleks voices aren’t great, as I’ve found him fine in other Dalek stories such as ‘The Evil of the Daleks’, ‘Genesis of the Daleks’ and ‘Revelation of the Daleks’. But the Daleks sound more scratchy than usual and I prefer it when Nick Briggs voices them.

Like Nick Briggs when he was interviewed for the ‘Terror Nation’ documentary on DVD, I felt at times that Terry Nation had forgotten that there were creatures inside the Dalek machines. Despite the odd mentions that the Daleks were once people, it’s implied that they happen to be more robotic. 😐

This is evident when Davros states that the Movellans are another race of robots like the Daleks. Now this could also imply that Davros has met another race of robots before the Movellans came along when he worked on the Daleks on Skaro before ‘Genesis’, but I don’t believe that’s really the case here!

Essentially, the Dalek/Movellan conflict doesn’t work for me. I can’t feel for the Daleks and the Movellans in their conflict, since it’s implied that the Daleks and the Movellans are equal in terms of their robotic programming, whereas the Daleks are semi-robotic and the Movellans are fully robotic.

I don’t feel the Daleks are menacing enough and are being played for laughs, especially in the aforementioned phrases and orders they say and bark out loud. I wish more was developed in terms of the Daleks being creatures in their machines instead of them being made out to be just robots. 😐

When I wrote ‘Doom of the Daleks’, I had the Daleks pitted against the Dwaxi, who were equal to them in terms of their aggression and their violence. I wish that the Daleks had a foe ready to pounce them out in a very aggressive manner compared to the monotone manner of the Movellans.

The Daleks also look tatty in terms of their design. They look as if they’ve not been well-preserved and have been badly-treated over the years before they were taken out to be filmed. Bits of their casing have come off and are broken. Then again, they’ve fought the Movellans for a very long time.

I also feel that the extermination sequences by the Daleks are pretty appalling. There’s a scene where the Daleks are exterminating human prisoners and the humans seem happy to be exterminated, ‘flopping’ to the ground as if about to go to sleep. It’s pathetic and very cringeworthy!

Now I know some of the extermination scenes in ‘Resurrection’ can be over-the-top, especially when one of them does a ‘disco dance’ as he’s been exterminated, but at least the point comes across that they’re being exterminated. Surely the human prisoners should have been terrified once being shot.

As indicated, Davros returns in his second ‘Doctor Who’ appearance on TV. When Davros first appeared in ‘Genesis of the Daleks’, he was played by Michael Wisher. Here, he’s played by David Gooderson, who incidentally was the barman in the first ‘Hitch-Hikers’ Guide to the Galaxy’ radio series.

I’ve met David Gooderson twice at conventions. The first time was at the ‘Collectormania Glasgow 2012’ event in August 2012. The second time was at the ‘Cardiff Film and Comic Con 2014’ in March 2014. I’ve had some nice chats with David about his appearance as Davros in ‘Destiny of the Daleks’.

He’s a very nice gent to talk to. He even signed of a photo of Davros from ‘Destiny of the Daleks’ for me as well as an autograph at conventions. It was intriguing to hear David’s thoughts about playing Davros both at conventions as well as when being interviewed for documentaries on DVD/Blu-ray. 🙂

Over the years, I’ve found David Gooderson’s portrayal of Davros in ‘Destiny’ to be…um…interesting. I don’t consider it to be as good as how other actors have played the character in the series like Michael Wisher, Terry Molloy and Julian Bleach. But it’s an interesting attempt to say the least here.

Initially, I felt Davros’ voice sounded normal and less Dalek-like when David played him. It doesn’t have the same terrifying menace when Michael Wisher played him in ‘Genesis’. But lately, I see that David Gooderson was trying to mimic Davros’ voice, but without the voice treatment that it needed.

Had David Gooderson been given the voice synthesiser to make him sound more Dalek-like, maybe I would’ve taken Davros’ voice more seriously compared to how I first saw ‘Destiny’ on DVD in 2007. It would match a lot in how Davros sounded in the ‘Risen’ trailer for the Season 17 Blu-ray box set. 🙂

As mentioned, it’s intriguing how Davros managed to survive being shot by the Daleks at point blank range by the end of ‘Genesis’. I enjoyed Davros’ scenes with the Doctor, as they challenged each other on their scientific intellect and the moral situation concerning the Daleks and the Movellans. 🙂

Concerning the Movellans, they’re beautiful and exotic-looking robots in white suits and flowing braided hair. I would’ve preferred it if the Movellans were more subtle in their dress sense and their hairstyle, as they’re not attractive-looking as I would’ve expected them to be in their TV appearance.

June Hudson was the costume designer for this story by the way. The Movellans include Peter Straker as Commander Sharrel, Suzanne Danielle as Agella and Tony Osoba as Lan. The Movellans have made a comeback recently, both in the Big Finish audios and the TV episode called ‘The Pilot’. 🙂

The Movellans are interesting as robots, since they’re supposed to match the Daleks in terms of intellect and logic. But like I said, I would’ve preferred it if the Daleks came up against a deadlier opponent that matched their ruthless and cold-blooded killing nature compared to robotic nature. 😐

The story also features Tim Barlow as Tyssan, who helps the Doctor and Romana out. I saw Tim Barlow recently in the ‘Sherlock’ festive special called ‘The Abominable Bride’. There’s also Penny Casdagli as Jall and David Yip as Veldan, who are mine-workers that Romana encounters in the story.

Speaking of Lalla Ward’s Romana, it’s interesting how she gets to regenerate in this TV adventure. Mary Tamm chose not to return to play Romana, but she wasn’t asked to do a regeneration from herself into Lalla Ward. A bit of a shame, but Mary Tamm still returned to do some Big Finish audios.

So, instead of us not seeing the actual regeneration between Mary Tamm into Lalla Ward, we get to see Lalla Ward’s Romana seemingly picking different bodies in a strangely comedic scene in the TARDIS, as if she was shopping in a clothes shop, before she settles upon the body of Princess Astra.

Now this does seem weird, as I’m not sure if Romana is using up all of her lives as she’s picking different bodies or if she has the ability to choose different bodies before settling on a final one in her current regeneration. It’s a pity that the Doctor can’t do that, as his/her regenerations are troubled.

The Doctor also objects to Romana picking Princess Astra’s body to wear in her current regeneration, as he says to her, “But you can’t go round wearing copies of bodies.” A bit of a hypocrite there, Doctor, since you would later wear Commander Maxil’s body from ‘Arc of Infinity’ as Colin Baker’s Doctor! 😀

The comedy stuff of Romana picking different bodies when in the TARDIS does go on for too long and is rather silly in my humble opinion. I imagine that was more the invention of Douglas Adams’ script-editing as opposed to Terry Nation’s writing concerning the TARDIS scenes being played out. 🙂

Also, for your information, Romana has met the Daleks before. Even though her answers to the Daleks were ‘truthful responses’ when she was being interrogated by them in ‘Part Two’, Romana clearly states the Daleks ‘used to be humanoids themselves’ after she had her interrogation scene. 🙂

I’m pleased that it’s confirmed that Romana has met the Daleks before since Mary Tamm’s Romana encountered them in the four-part audio story ‘The Dalek Contract’/’The Final Phase’. Amazing that the Daleks’ lie-detector machine wasn’t able to pick up Romana’s lies during the ‘Destiny’ story! 😀

Mind you, I’ve discovered Romana in ‘Destiny of the Daleks’ might not be as she appears. In the Short Trip called ‘The Lying Old Witch in the Wardrobe’ from the ‘Short Trips: Companions’ anthology, it’s suggested Romana in ‘Destiny of the Daleks’ was actually the TARDIS disguised as her.

I like how that theory works out in that Short Trip and it would make sense concerning why Romana seemed able to switch bodies a lot during her ‘regeneration’ scene in the TARDIS. Not many will have read ‘The Lying Old Witch in the Wardrobe’, but it provides more credibility for Romana in ‘Destiny’.

Tom Baker is brilliant playing the Fourth Doctor in this ‘Doctor Who’ adventure. I enjoyed the jokes that his Doctor delivered in this adventure, and it’s clear Tom Baker warms to Douglas Adams’ approach to script-editing in ‘Doctor Who’. I also enjoyed the scenes he shares with Romana here. 🙂

This includes when they’re in the TARDIS and when they’re out on Skaro. The scene where the Doctor made Romana jump when coming up behind her was funny. The rock-paper-scissors scene between the Doctor and Romana aboard the Movellan spaceship is funny, but also pretty inspired. 🙂

K-9 does appear in this story, but not very much. He’s at the beginning when the Doctor tries to fix him in the TARDIS. It turns out he has laryngitis, which is quite absurd. How a robot dog can have laryngitis is beyond me. 😀 A shame K-9 doesn’t get to go out on Skaro since he’s stuck in the TARDIS.

At the story’s conclusion, Davros and the Daleks are defeated. Davros gets captured and is put in cryogenic suspension where he’s to be taken to Earth to stand trial for his crimes. The Doctor presses the button and freezes him in the cryogenic unit, where he will never be seen ever again! 😀

The original DVD special features were as follows. There was a documentary called ‘Terror Nation’ which focused on Terry Nation and his involvement with ‘Doctor Who’. There was also a ‘Directing Who’ interview with the story’s director Ken Grieve. There was a CGI effects option to enjoy; BBC trailers and continuity announcements of the story; and a photo gallery of the story. There was a mono sound audio mix option for the story and an audio commentary with Lalla Ward, David Gooderson and director Ken Grieve. There was an info-text commentary option to enjoy and some ‘Prime Computer’ adverts starring Tom Baker and Lalla Ward. There was a ‘coming soon’ trailer for the ‘Beneath the Surface’ DVD box set, containing ‘Doctor Who and the Silurians’, starring Jon Pertwee, Caroline John and Nicholas Courtney, ‘The Sea Devils’, starring Jon Pertwee and Katy Manning and ‘Warriors of the Deep’, starring Peter Davison, Janet Fielding and Mark Strickson. There was also a ‘Radio Times Listings’ PDF of the story and a DVD Easter Egg which happens to be studio clocks of the story.

On Disc 1 of the ‘Doctor Who – The Collection – Season 17’ Blu-ray, the ‘Terror Nation’ documentary, the ‘Directing Who’ interview with Ken Grieve, the CGI effects option, the mono sound audio mix option, the DVD audio commentary, and the studio clocks can be found on there. The BBC trailers and continuity announcements of the story have been updated with the Season 17 BBC1 launch trailer on its own and the BBC trailers and continuity announcements from 1979 and 1980. The photo gallery and the info-text commentary option for ‘Destiny of the Daleks’ have been updated for 2021 on the Blu-ray. The ‘Prime Computer’ adverts are now included on the ‘Warriors’ Gate’ disc in the Season 18 Blu-ray box set of ‘Doctor Who’.

The new special features on Blu-ray include the making-of documentary called ‘Return to Skaro’ with behind-the-scenes cast and crew interviews. There’s the ‘Behind the Sofa’ feature on ‘Destiny of the Daleks’ with Colin Baker (The Sixth Doctor) and Matthew Waterhouse (Adric) as well as Katy Manning (Jo Grant) and Nicola Bryant (Peri) as well as visual effects designer Mat Irvine, costume designer June Hudson and director Graeme Harper. There’s ‘The Dalek Tapes’ documentary (taken from the ‘Genesis of the Daleks’ DVD), the ‘Risen’ Season 17 Blu-ray trailer, a ‘Nationwide’ item with the BBC Radiophonic Workshop, a ‘Blue Peter’ item on abseiling, and a ‘Blue Peter’ item featuring a fan-made Dalek. There’s also a 5.1 surround sound audio mix option for the story to enjoy and the enhanced 5.1. surround sound audio option with Tristram Cary’s music from the original ‘Daleks’ story. There’s also a brand-new Blu-ray audio commentary for ‘Parts One and Four’ of ‘Destiny of the Daleks’ with Tom Baker, moderated by Toby Hadoke.

On the PDF front, as well as the ‘Radio Times Listings’ of the story, there are production documents; scripts for the story, including four rehearsal scripts and four camera scripts, studio floorplans, an audience research report, miscellaneous BBC ‘Doctor Who’ correspondence, a Season 17 television play synopsis, the ‘Doctor Who Annual 1981’, a BBC Enterprises knitting pattern for Tom Baker’s scarf (taken from the 2-disc 2017 ‘Shada’ DVD/Blu-ray), a Season 17 BBC Enterprises sales sheet, and visual effects design drawings.

‘Destiny of the Daleks’ is an unusual and a lacklustre Dalek story in ‘Doctor Who’. I enjoyed some of the ideas featured in it, but I don’t think the Daleks and Davros are at their best. Tom Baker and Lalla Ward deliver great performances as the Doctor and Romana, but this is an average Dalek adventure.

Mind you, it terms of revisiting the story on DVD and lately on Blu-ray with the enhanced 5.1. surround sound audio option and the CGI effects option, I’ve been able to enjoy it more and more. Thankfully, the opening story would be won over by the following instalment featured in Season 17.

‘Destiny of the Daleks’ rating – 6/10

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The previous story For the Fourth Doctor was ‘The Stealers From Saiph’ (Audio) For Romana was ‘The Stealers From Saiph’ (Audio) For K-9 Mk II was ‘The Dalek Contract’/’The Final Phase’ (Audio) For Davros was ‘Risen’ (Blu-ray) For the Daleks was ‘The Dalek Contract’/’The Final Phase’ (Audio)	The next story For the Fourth Doctor is ‘The Lying Old Witch in the Wardrobe’ (ST) For Romana is ‘The Lying Old Witch in the Wardrobe’ (ST) For K-9 Mk II was ‘The Old Rogue’ (ST/Audio) For Davros was ‘The Dalek Defence’/’The Triumph of Davros’ (Audio) For the Daleks was ‘The Pliot’ (TV)
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