
‘THE INVASION OF TIME’
Please feel free to comment on the review.
On Gallifrey with Vardans, Sontarans, the Fourth Doctor, Leela and K-9
by Tim Bradley and Timelord007

Tim Bradley:
So, here we are on… Hey, will you stop that?!
Tim and Timelord007 struggle, as they fight over possession of Tim’s Season 15 Blu-ray box set of ‘Doctor Who’.

Timelord007:
GIVE IT TO ME!

Tim Bradley:
Look, this is my copy of the Season 15 Blu-ray box set of ‘Doctor Who’. Get your own!

Timelord007:
I can’t review the story if I can’t see it! The least you can do is share!

Tim Bradley:
You have your own copy of ‘The Invasion of Time’ on DVD. Use that whilst we’re doing the updated review.

Timelord007:
But the Blu-ray version is superior, isn’t it? It’s got the CGI effects option, hasn’t it?

Tim Bradley:
The DVD version has the CGI effects option too, you know. They just transferred it from the DVD to the Blu-ray in the box set.

Timelord007:
(abruptly calms down) Okay, okay! I’ll hold my DVD copy of ‘The Invasion of Time’ whilst you hold your Season 15 Blu-ray box set. We’ll see if there’s a difference between the two versions as we review the story.

Tim Bradley:
That suits me fine.

Tim holds his copy of the Season 15 Blu-ray box set of ‘Doctor Who’ whilst Timelord007 holds his copy of ‘The Invasion of Time’ on DVD.

Timelord007:
I feel stupid holding my ‘Invasion of Time’ DVD.

Tim Bradley:
Well, you were the one that started it.

Timelord007:
Let’s get on with the review, shall we?

Tim Bradley:
Yeah, agreed. We’ll be here all day if we keep on like this.

Tim Bradley:
So, here we are on the season finale of Season 15 of the classic ‘Doctor Who’ TV series. This is what we’ve been building up to in Tom Baker’s fourth season as the Fourth Doctor and Graham Williams’ first season as producer of the classic TV series. 🙂 This is ‘The Invasion of Time’ and it’s a six-part story.
Timelord007:
Ah, yes! The six parter to end Season 15 on. The original story featured tinfoil aliens called Vardans, a cockney-sounding Sontaran, the last two episodes have the Doctor running in an unused hospital, Tom Baker goes all evil and shouty for a while, and Leela falls in love with somebody for about five minutes.
Tim Bradley:
Those are just some of the elements that Timelord has mentioned about this story. What about the actual ‘Invasion of Time’? Is it good and worthy as a season finale? And is the story improved in its CGI effects version on DVD and Blu-ray compared to the original transmitted version on DVD and Blu-ray?

Timelord007:
Spoilers alert, there’s not much difference.
Tim Bradley:
(slightly annoyed) Come on, Timelord, don’t be like that. You’re spoiling it for the audience out there.
Timelord007:
I’m only saying as it is. It can’t be helped if you speak the truth, can it?
Tim Bradley:
(wryly) I’m so glad I’ve got you to help me out on this updated review.
Timelord007:
(smugly) I know. I’m just that kind of charming guy who knows how to help.

Tim Bradley:
(sighs) The first time I saw ‘The Invasion of Time’ was when I received the ‘Doctor Who’ story for my birthday in May 2008. I was a young ‘Doctor Who’ fan back then. I was looking forward to checking out this ‘Doctor Who’ story. I hoped it would be an exciting Sontaran fest set on Gallifrey featuring our heroes.
Sadly, it didn’t turn out like that, which was very disappointing. The Sontarans only appear in the last two episodes of the story instead of most of it. I’ve made up for the disappointment over the years by writing my own ‘Doctor Who’ story featuring the Sontarans, which I’ve called ‘The Stockbridge Terror’.
Timelord007:
I still haven’t found time to check out more of your ‘Doctor Who’ stories, Tim, including that one.
Tim Bradley:
It’s okay, Timelord. They’re still waiting for you to check them out whenever you want to.
Timelord007:
Oh, good. That’s great to know.

Tim Bradley:
Originally, ‘The Invasion of Time’ wasn’t going to be the season finale to Season 15 of the classic ‘Doctor Who’ TV series. The story was actually a last-minute entry as the finale. Originally, the show’s script editor Anthony Read had commissioned a completely different six-part adventure altogether. 😐
That story was called ‘The Killer Cats of Geng Singh’ and would have been written by David Weir, who was an old colleague of Anthony Read’s in the past. Unfortunately, David Weir failed to meet the script deadlines, and it was decreed the story would have been very expensive to produce, which is a shame.
Timelord007:
And from what I’ve read, according to the DVD notes I’ve got, the story would have required a stadium full of cat people. Can you imagine the nightmare of that? And this was all before ‘Survival’ happened!

Tim Bradley:
So instead, we have ‘The Invasion of Time’, a six-part story by David Agnew, who makes his first contribution to the ‘Doctor Who’ TV series. David Agnew would later contribute to ‘Doctor Who’ again for his superb story ‘City of Death’ in Season 17. And he later wrote the short story ‘Playing with Toys’…
Timelord007:
(interrupts) Err, Tim? You do know David Agnew isn’t a real person, right?
Tim Bradley:
What are you talking about, of course he’s real. I mean, I know he hasn’t done any interviews, but he has written for more than just ‘Doctor Who’. He’s written for shows like ‘Play for Today’, ‘Playhouse’ and ‘Target’. And apparently, according to Terrance Dicks, David Agnew is a nice friend of Robin Bland.

Timelord007:
No, seriously, Tim. David Agnew does not exist! It might shock and surprise you to know this, but ‘The Invasion of Time’ is actually by the script editor Anthony Read and was script-edited by the producer Graham Williams. ‘David Agnew’ was a pseudonym to cover up the identities of the two guys involved.
Tim Bradley:
(gradually) Well, yes, of course, I did know that, thank you very much. I’m not that stupid.
Timelord007:
Also, Tim, ‘Robin Bland’ is a pseudonym for Terrance Dicks when he wrote ‘The Brain of Morbius’ before it got rewritten by Robert Holmes. Surely, you knew that too.
Tim Bradley:
(annoyed) Yes, yes, I know, I know, Timelord. I was trying to make a joke out of the situation. Clearly, you’ve missed it and ruined the joke for us already!

Timelord007:
(sighs) Anyway, to talk about the story’s plot, ‘The Invasion of Time’ sees Tom Baker’s Doctor and his companion, Louise Jameson as Leela, arrive on the Doctor’s home world of Gallifrey. The Doctor unexpectedly, but legally, claims the title of President of the High Council of the Time Lords of Gallifrey.
Tim Bradley:
Something which he previously claimed for a bit in the Season 14 story ‘The Deadly Assassin’. ‘The Invasion of Time’, in many ways, is a sequel to ‘The Deadly Assassin‘. This in terms of the story’s setting: Gallifrey, the costumes and the set designs, which are mostly borrowed from ‘The Deadly Assassin’. 🙂
Timelord007:
However, the Doctor acts very aggressively, bordering on madness. As soon as he is sworn in as President and given access to the Matrix – the repository for all knowledge of the Time Lords – the Doctor’s first act is to have his companion, Leela, banished to the wastelands, outside of the Citadel.

The wastelands are where the outcast Gallifreyans make their dwellings. Meanwhile, the Doctor sets about dismantling the defensive barrier around Gallifrey, as he seems to be aiding an alien race called the Vardans to conquer Gallifrey and control time. Is there more to the situation than meets the eye?
Tim Bradley:
Seriously, Timelord?
Timelord007:
Sorry, I couldn’t help adding a little ‘Transformers’ pun.

Tim Bradley:
(sighs) When released on DVD in 2008, ‘The Invasion of Time’ was given a 2-disc set. The story was on Disc 1 and the special features were on Disc 2. Now, ‘The Invasion of Time’ is mostly released on a single Blu-ray disc with the special features from the 2-disc DVD set transferred to the Blu-ray itself. 🙂
In terms of story structure, the first four episodes set on Gallifrey are about the Doctor becoming the Time Lord President and letting the Vardans invade. We don’t see the Sontarans until the end of ‘Part Four’ where they invade Gallifrey, and we have some of the last two episodes take place in the TARDIS.
Timelord007:
And it’s mostly the Doctor, his friends and the Sontarans running around in circles in an unused hospital – which, apparently, is St. Anne’s Hospital in Redhill in Surrey. There’s no real reason for why the TARDIS corridors look like they belong to an unused hospital and why we’re going around in circles.

Tim Bradley:
I would have preferred it if the Sontarans had featured as the main enemy in all six episodes of the story. Not have the Vardans be the enemy for the first four episodes and then have the Sontarans appear in the last two episodes. I appreciate the surprise factor, but it wasn’t what I had hoped for. 😐
When I did ‘The Stockbridge Terror’, I switched it around by having the Sontarans appear in the last four episodes of the six-part story instead of just appearing for mostly the last two episodes. Don’t get me wrong, I don’t dislike ‘The Invasion of Time’ as a ‘Doctor Who’ story, as I greatly enjoyed seeing it.
But when you set expectations like that on the DVD cover for people who want to check out this story, then it’s going to be a pain at the receiving end when you realise your expectations of this TV adventure were misplaced. I’m sure that wasn’t the intention, but it was what I felt like at the time. 😐

Timelord007:
I remember first seeing ‘The Invasion of Time’ on those UK Gold omnibus repeats that were shown on a Sunday morning. I thought it was an average story at the time. I remember enjoying the story until the climax of ‘Part Four’ before it went downhill with the running around in TARDIS/hospital corridors.
I also recall my parents buying me the story on VHS from Woolworths, which I saw when I was laid up in bed with bronchitis. The original ‘Invasion of Time’ VHS release had two VHS tapes. That’s three episodes per tape. Remember those bulky things you had to rewind once you’d played them through?
Tim Bradley:
Oh, yes. Those were the days when I was growing up in the 1990s watching VHS tapes as a kid and recording my favourite TV shows on VHS tapes. I’m amazed those aren’t with us anymore and they’ve been replaced by DVD and Blu-ray. I’ve shared my own video memories in a blog post not so long ago.

Timelord007:
Then of course, I purchased the 2-disc DVD set upon release in 2008 with the new CGI effects option. I must admit, I like the CGI effects option version of the story, as the look of the Vardans is greatly improved compared to their tinfoil appearance. And the DVD extras are great value in added material.
Tim Bradley:
The Blu-ray extras also add great value to ‘The Invasion of Time’, especially the ‘Behind the Sofa’ item featuring contributors like Sarah Sutton, Colin Baker and Janet Fielding. I greatly enjoyed Sarah’s reactions to ‘The Invasion of Time’, even if she, Colin and Janet were viewing just the story’s highlights.
Timelord007:
(ruefully) Ah, yes. Let it be said: the only reason the classic ‘Doctor Who’ Blu-ray box sets keep Tim happy is because Sarah Sutton is in the ‘Behind the Sofas’. It’s not like the stories are the main priority.

Tim Bradley:
Incidentally, I’m not really one for Gallifrey stories in ‘Doctor Who’. I get confused when I see a story set on Gallifrey and we delve into Time Lord politics. But it’s nice to have a lighter depiction of Gallifrey in ‘The Invasion of Time’ compared to the darker, moodier depiction featured in ‘The Deadly Assassin’.
I enjoyed the humorous moments where the Time Lords chatted and bickered amongst each other. Some of the humour in ‘The Invasion of Time’ is encouraged by the story’s director Gerald Blake. This is his second ‘Doctor Who’ story to direct. The first story he directed was ‘The Abominable Snowmen’.

Timelord007:
For me, Gallifrey reminds me of when I used to see ‘Westminster Live’, which was shown on BBC Two from 1989 to 2002. The politicians would talk utter nonsense among themselves as they bicker and complain. I could easily imagine someone like Teresa May being a Gallifreyan cardinal in those scenes.
(shudders) Ugh! That’s an image I want to quickly erase from my memory. Tim, pass me the mind probe!
Tim Bradley:
(confused) Wouldn’t it be better to think of someone like Rishi Sunak as a Gallifreyan cardinal? Or Sir Keir Starmer? Or President Donald Trump?
Timelord007:
Well, she was Prime Minister when we originally reviewed this story. (Pause; impatiently) Just give me the mind probe, will you?!
Tim Bradley:
Okay, as you wish. Here you go. Here’s the mind probe.
Timelord007:
Thanks, mate!
Timelord007 takes the mind probe from Tim and puts it on his head, switching it on. A moment of silence ensues.
Timelord007:
(sighs; contented) Ah, that’s better. Now, where was I? (thinks; realises) Ah, yes! Whilst nothing gets done on Gallifrey, leaving it to someone else to save the day, I can truly understand why the Doctor left his home world to seek adventure. Because as a whole; Gallifrey is bound to be a very boring place.

Tim Bradley:
It’s fascinating how the concepts of Gallifrey introduced in ‘The Deadly Assassin’, including Rassilon and the Matrix of Gallifrey, are explored further in ‘The Invasion of Time’. Granted, the scripting of ‘The Invasion of Time’ was all done in a rush, but it’s intriguing how it’s developed upon in this TV story.
Timelord007:
I love Tom Baker’s performance as the Fourth Doctor in ‘The Invasion of Time’. His incarnation of the usual bonkers eccentric makes way for a darker and more sinister Doctor, as he slowly seems to be losing his grip on reality. You’re never sure what’s going on in his mind, especially in that first episode.
The Doctor’s banishment of Leela in ‘Part Two’ is outright cold, and his rage when unleashed during a particular scene with Borusa in ‘Part One’ is so unsettling. Tom plays the role of the Fourth Doctor very convincingly, as the story hints on how the Doctor could be, if he ever truly turned evil, which is chilling.

Tim Bradley:
Yeah, Tom Baker is great as the Doctor in this adventure! Seeing him behave very strangely did make me feel uneasy, and it terrified me when I saw him having fits of anger at certain points in the story. There are moments though that I quite like where Tom’s Doctor is allowed to have humour in the tale.
This includes scenes where Tom’s Doctor takes out a bag of jelly babies from his coat pocket and he offers one to Commander Andred. It’s so funny how that scene’s played out between Tom Baker and Chris Tranchell as their characters, especially when Andred gets given the whole bag of jelly babies. 😀
I also enjoyed those moments in ‘Part Six’ of the story where the Doctor, Leela and Rodan are on the run from the Sontarans, and they get lost in the TARDIS. The Doctor even trips up on his scarf at one point, which made me laugh. 😀 The Doctor’s fourth wall breaking moments can also be very amusing.

Doctor: Even the sonic screwdriver won’t get me out of this one.
Timelord007:
I didn’t really appreciate the fourth wall antics shown in this story. I mean, the Doctor does it twice. First with the “Even the sonic screwdriver won’t get me out of this one!” line, and then him grinning towards the camera by the story’s conclusion. Seriously, is he looking at us when he’s doing that or not?

Tim Bradley:
Yeah, even I have to admit that the Doctor looking at us at the story’s end is pretty weird. But at least after the first time he broke the fourth wall in ‘Part Two’, he gets to say a line to help him open a door.

Doctor: There’s nothing more useless than a lock with a voice print.
Timelord007:
Please stop!
Tim Bradley:
Apparently, Tom Baker smiled at us at the end of each season in the Graham Williams era of ‘Doctor Who’. He did this at the end of ‘The Invasion of Time’, the end of ‘The Armageddon Factor’, and the end of ‘Shada’ (both the 1992 version and the 2017/2021 version). I’m amazed I didn’t notice that before.
Timelord007:
Probably seen into his future of becoming Sir Tom Baker. Or getting his MBE in December 2024.
Tim Bradley:
Probably, yes. (Pause) Perhaps you’d better talk about Louise Jameson as Leela, Timelord.

Timelord007:
Fair enough. (clears throat) When it comes to talking about Louise Jameson as Leela, for the most part, I thought she was given a decent storyline, barring her departure scene. Louise gets to show Leela’s strength and vulnerability throughout, as she rallies the Gallifreyan outcasts to help rescue the Doctor.
This is a ‘Doctor Who’ story that demonstrates Leela’s strength as a fierce warrior by taking up arms in battle. It also demonstrates her when she’s quite dismayed and heartbroken at being treated appallingly by the Doctor. This is especially once he has Leela banished to the wastelands in ‘Part Two’.
Tim Bradley:
For me, ‘The Invasion of Time’ was the first time…. (laughs) Crikey, that rhymes. I’d forgotten I did that when I did the original review on this story back in 2017…
Timelord007:
(interrupts) You were saying?
Tim Bradley:
Anyway, back on track. ‘The Invasion of Time’ was my first encounter with Louise Jameson as Leela as a ‘Doctor Who’ companion. It’s quite ironic having seen her other TV adventures and listened to the Big Finish audios of ‘Doctor Who’, that the first time I saw her in the TV series was her swansong story.

I’ve met Louise Jameson at many conventions over the years and have greatly enjoyed interacting with her and sharing with her how much I’ve enjoyed Leela in ‘Doctor Who’, both on TV and audio. I greatly appreciate Louise’s commitment and dedication in playing Leela on TV and in the audio stories.
She certainly does play Leela very well for the majority of this ‘Doctor Who’ story. I like that even though she’s been banished by the Doctor, she has this belief her friend would never turn out to be a traitor and she’ll continue to stand by him. Leela even says this to Rodan in ‘Part Three’ of the TV story.

Leela: No, if the Doctor wished me banished, it was for a reason.
Rodan: Reason dictates the Doctor is a traitor.
Leela: Never!
Rodan: Reason dictates.
Leela: Then reason is a liar!
Rodan: And if I am right?
Leela: Then I am wrong, and I will face the consequence.
Timelord007:
Let’s talk about K-9 for a bit, voiced by John Leeson. K-9 is great in this ‘Doctor Who’ adventure and is given a fair amount to do. It’s strange how likeable this robot dog is, which is all down to John Leeson’s excellent voicing of the character. Usually, I wouldn’t be for characters like this, but K-9 is pretty good.
Tim Bradley:
Yes, K-9 is pretty good in this ‘Doctor Who’ story and I like how John Leeson gets to voice him in this. Although, K-9 can be pretty noisy when he’s in the TARDIS and when he’s moving about on all wheels. That’s with the Mark I model, incidentally. Thankfully, things improved with Mark II in the next season.
I enjoyed the first scene between K-9 and Leela at the story’s beginning when the Doctor is absent attending to the Vardans aboard their spaceship. It was so funny when Leela found K-9 seemingly sulking, as Leela coos him out of his…mood, I guess…by tickling under his chin and K-9 lifts his head. 🙂

Leela: K-9, I’m sorry. I didn’t mean to shout at you.
K-9: Apologies are not necessary.
Leela: No, no, no, of course they’re not.
It’s interesting that K-9 seems to be working with the Doctor a lot in the first four episodes of ‘The Invasion of Time’ and they seem to be in the know about what’s going on with the Vardans. I liked that moment when the Doctor told K-9 to get off his foot just as she was about to leave the TARDIS. 🙂

Doctor: Can I have a few moments to get away, please?
K-9: Affirmative.
Doctor: And will you get off my foot, please?
K-9: Affirmative.
Timelord007:
The guest cast includes John Arnatt as Chancellor Borusa. John Arnatt is amazing as Borusa in this ‘Doctor Who’ story. He comes across as both charming and likeable, and he shares a wonderful chemistry with Tom Baker. To this day, he’s my absolute favourite incarnation of the Borusa character.
Tim Bradley:
Yeah, I like John Arnatt as Borusa. The character was previously played by Angus MacKay in ‘The Deadly Assassin’. I like how John Arnatt plays Borusa compared to other actors who’ve played him, as he’s always thinking about what’s going on, even when the Doctor is behaving rather oddly in the tale.
Timelord007:
There’s Milton Johns as Castellan Kelner. Milton Johns previously played Benik in ‘The Enemy of the World’ and Guy Crayford in ‘The Android Invasion’. His performance as the manipulative Castellan Kelner is very similar in style to his two previous ‘Doctor Who’ characters, but it’s decent, nevertheless.

Tim Bradley:
I’ve seen Milton Johns in episodes of BBC sitcoms like ‘The Good Life’ and ‘Ever Decreasing Circles’, both with Richard Briers. I enjoyed his performance as Castellan Kelner. Like John Arnatt as Borusa, you don’t know what the Castellan is thinking, yet his motives are clearly sinister and slimy throughout.
Chris Tranchell guest stars as Andred, the Commander of the Chancellery Guard on Gallifrey. I quite like Andred in this story. He can be a little slow regarding what’s going on with Tom Baker’s Doctor becoming Time Lord President, but he comes across as loyal and he’s very willing to protect his people.
Timelord007:
Chris Tranchell as Andred…. Well, he’s a bit of a bore, isn’t he? The character needed more screen-time, especially if you’re setting up his character as a love interest for Leela.

Tim Bradley:
There’s also Hilary Ryan as Rodan, who is like a traffic controller on Gallifrey. This is one of the rarest occasions where we see a female Time Lord in ‘Doctor Who’ and this was before Romana came along in the following season. Rodan gets to help the Doctor once they and friends are inside the TARDIS. 🙂
Timelord007:
Hilary Ryan gives a decent performance as Rodan. She also gives us a taste of what a future Gallifreyan companion would be like. I wonder if her character influenced Graham Williams to introduce a new Time Lady in Romana when she was introduced in Season 16 – ‘The Key To Time’ season.
Tim Bradley:
The story’s guest cast also includes Charles Morgan as the Gold Usher, Dennis Edwards as Lord Gomer, and Reginald Jessup as Lord Savar. There are also the Gallifreyan outcasts, including Max Faulkner as Nesbin, Ray Callaghan as Ablif, Michael Mundell as Jasko and Gai Smith as Presta. All are very good. 🙂

Incidentally, Max Faulker who plays Nesbin in this ‘Doctor Who’ story has had many roles in many ‘Doctor Who’ stories. He’s been in stories like ‘The Ambassadors of Death’, ‘The Monster of Peladon’, ‘Planet of the Spiders’, ‘Genesis of the Daleks’ and ‘The Android Invasion’. He must be very multi-talented.
Timelord007:
Say, Tim. Did you know that when the Doctor was talking to the Vardans in ‘Part One’, he had his scarf on? But by the time he returned to the TARDIS with Leela and K-9 inside, he had his scarf off and it was hanging on the hatstand? Someone in charge of continuity hadn’t paid attention making this tale.
Tim Bradley:
Yes, I did notice that continuity error on the DVD and Blu-ray versions of the story. How could the production team have messed that up? I also have to agree with you about the Vardans in that they’re really appalling in their original tinfoil appearance when the adventure was shown on TV in early 1978.

Timelord007:
What a relief that the CGI effects option is available to us for ‘The Invasion of Time’ on DVD and Blu-ray. The CGI makeover is very impressive, and I prefer watching ‘The Invasion of Time’ with the new effects rather than the old effects. It’s a shame the Vardans aren’t given enough time to be developed.
I mean, the Vardans are an intriguing species in ‘Doctor Who’ and perhaps in a four-part structure, ‘The Invasion of Time’ would have worked better in developing this alien race further, had the Sontarans not appeared at the end of ‘Part Four’. The Sontarans’ appearance did feel very tagged-on.
Tim Bradley:
It’s also interesting what the Vardans truly turned out to be, as they appeared in ‘Part Four’ as men in military uniforms and are played by Stan McGowan, Tom Kelly and Julian Hudson. And it’s only in ‘Part Four’ we get to see them like that. Beforehand, they were semi-tinfoil monsters or glowing CGI beings.

I agree with Timelord that the CGI version of the Vardans when they’re struggling to materialise is more impressive than what’s in the original TV version of the story, and I prefer watching ‘The Invasion of Time’ with the CGI effects option. At least I’m not laughing at them when seeing the Vardans in CGI.
Timelord007:
And then there’s the Sontarans for us to talk about. As I said before, the Sontarans feel rather tagged-on in the story. The end of ‘Part Four’ should’ve been an epic cliffhanger, but it’s ruined when we have the reveal of the leader, Commander Stor of the Sontaran Special Space Service. Yes, I know, the SSSS.

Doctor: Isn’t that carrying alliteration a little far?
Tim Bradley:
Stor is played by Derek Deadman, who I’ve also seen in one of ‘The Sooty Show’ episodes called ‘Superdog and the Comedian’ where he played the villainous Comedian. He’s also had a small role in ‘Harry Potter and the Philosopher’s Stone’. Quite a contrast to when he portrays Stor in ‘Doctor Who’.
I enjoyed the Sontarans when I saw them in this story, finding them fun to watch. Mind you, Stor’s make-up as a Sontaran isn’t great. I found it ugly and disturbing, but not matching to other Sontaran make-ups, as in ‘The Time Warrior’, ‘The Two Doctors’ and ‘The Sontaran Stratagem’/’The Poison Sky’.
Timelord007:
Stor is definitely one of the ugliest Sontarans ever in ‘Doctor Who’s history. I found Derek Deadman’s performance very pantomime and utterly dreadful. I mean, he can hardly get his words out to deliver anything remotely threatening. The Sontarans are supposed to be a fierce force of nature, aren’t they?

Bred for war! But here, we have a Muppets’ version of one of Sontar’s finest warriors. Also, Deadman seemingly stares out at the audience whilst speaking out threats to the Doctor in one of his cockney tones. That’s another breaking the fourth wall moment I really detest. It’s very cringeworthy, isn’t it?
It doesn’t make Stor intimidating when issuing threats at the Doctor by looking at the audience. It just makes him and the whole set-up very silly. It doesn’t contrast well with the darker aspects of the story. It’s a case when the comedy and drama don’t blend well together, which I find very frustrating indeed.
Tim Bradley:
As mentioned before, I wish we saw more of the Sontarans in this ‘Doctor Who’ adventure, as they only appear at the opportune moment when the Vardans have left and done their work for them. They also do nothing but chase the Doctor and his friends around in his TARDIS for the rest of the story.

Timelord007:
And there’s a clumsy Sontaran who trips over a sun lounger in the swimming pool area of the Doctor’s TARDIS in ‘Part Six’ of the ‘Doctor Who’ story. That’s got to be embarrassing when you’re watching it.
Tim Bradley:
Even more so when you find it’s Stuart Fell, a regular ‘Doctor Who’ stuntman, playing the Sontaran. (Pause) Speaking of the sun lounger in the swimming pool area (or the TARDIS bathroom, apparently), the swimming pool itself was filmed at the British Oxygen company in Hammersmith in London. This is a clear indicator they couldn’t build a specifically built bathroom and make it look like it’s in the TARDIS.
I mean, I know the production team were down on their time and were running out of time and budget when making the story. But surely, it wouldn’t hurt to do a little bit of decorating in the swimming pool area and in the hospital corridors to indicate we are in the TARDIS and not clearly evident Earth places.

You can’t take it seriously that we’re still inside the TARDIS once we enter those hospital corridors and when we were in the TARDIS bathroom that looks like a swimming pool. I believe the TARDIS bathroom/swimming pool is described better in the ‘Shada’ novelization/audiobook, released in 2012.
Timelord007:
It’s obvious that the budget was down to its last few pennies by this point in the production of Season 15, and the location filming of a disused hospital completely fails to convince as the TARDIS corridors. It gets weirder once we see Borusa sitting by the TARDIS swimming pool drinking a cocktail. Yes, really!
There’s also a voracious plant that gobbles up a Sontaran trooper. Why would the Doctor keep such a plant inside his TARDIS?! And then there’s some nonsense about the assembly of a D-Mat gun, and the Doctor eventually suffers amnesia sustained from a gun blast. That, I found incredibly unsatisfying.

Tim Bradley:
Yeah, even I must admit that was rather disappointing. I mean, I’m sure the Doctor retained some memory of being the Time Lord President after he used the D-Mat gun on Stor in ‘Part Six’. But to appear like before Leela, Borusa and everyone else and seeming to have lost his memory is unfulfilling.
Anyway, as we’ve established, the story comes to an end, and this happens to be the last regular appearance of Louise Jameson as Leela. Yep, from out of nowhere, Leela decides to stay on Gallifrey. And it turns out she’s fallen in love with Andred. It’s very poorly handled how Leela got written out. 😦

Leela: I’m staying.
Doctor: What? Staying? Here? Why?
Leela takes Andred’s hand.
Doctor: Ah, I see.
Timelord007:
I was so upset with how Leela was written out in this story. It’s rumoured producer Graham Williams tried to persuade Louise Jameson to stay and thought she would. But I think due to her strained relationship with Tom Baker at the time and her lack of character development, she decided to leave.
So, producer Graham Williams and script-editor Anthony Read hastily wrote her the leaving scene where Leela falls in love with Andred, the Gallifrey guard, who she’s known for five minutes, which is a complete and utter joke. The character deserved a way better exit than this shambolic written effort.
Tim Bradley:
Yeah, Louise Jameson said herself she would have preferred it if Leela died saving the Doctor by the story’s end. In a sense, that would have been a great way for her to depart and be more suited to Leela’s character. Now, I’m not saying staying on Gallifrey and falling in love with Andred is a bad thing.

Andred is a very nice guy throughout this ‘Doctor Who’ story. But there was never an indication of a romance between Leela and Andred. They had a couple of scenes together in ‘Part One’ where Leela tries out a few outfits to wear at the Doctor’s coronation as the Time Lord President, but it’s not much.
There’s also the moment in ‘Part Six’ where Andred is shot by Stor’s rheon carbine and Leela tends to him. It’s a sweet, tender and touching moment to watch, but is that enough to suggest a romance between them? It’s not strongly evident, and it doesn’t help in terms of justifying Leela’s departure. 😦
Timelord007:
It’s completely out of tone. By all means, have her stay on Gallifrey. She could have stayed to rule the Gallifreyan wastelands with the Gallifreyan outcasts. Or as Louise Jameson suggested, she could have sacrificed herself to save the Doctor. But don’t have Leela fall in love with someone she doesn’t know.

Tim Bradley:
Love stories in ‘Doctor Who’ need to have a sense of realism about them. I hope it’s what I’ve done with my ‘Fifth Doctor’ series of ‘Doctor Who’ stories where I’ve written Nyssa and Billy’s romance story and developed it gradually in all the stories I’ve written for them. It just isn’t so for Leela here. 😦
But then, I suppose Louise Jameson is thankful to star in the ‘Gallifrey’ spin-off audio series by Big Finish, which continues after ‘The Invasion of Time’. It has many stories featuring Leela with Romana and K-9 on Gallifrey. I’ve not had a chance to hear those audio stories yet, but I’m sure they’re pretty good.
Timelord007:
I haven’t heard the ‘Gallifrey’ audio dramas either, as I focus more on the ‘Doctor Who’ audio stories than the spin-offs. But they must be popular, since Big Finish continue to produce them.
Tim Bradley:
‘The Invasion of Time’ also features the last regular appearance of K-9 Mark I in ‘Doctor Who’.

Doctor: Come on, K-9.
K-9: Negative. I remain.
Doctor: Here?
K-9: Affirmative.
Doctor: Why?
K-9: To look after the mistress.
Tim Bradley:
I must admit, when I first saw that, I did wonder, how come K-9 is staying on Gallifrey with Leela when in future tales, K-9 would be joining the Doctor on travels with Romana, and then the Doctor would soon give K-9 to Sarah Jane at some point? This was before I discovered there were plenty more K-9s.
Timelord007:
K-9 has had at least four models to his name. Five, if you count the horrendous Australian TV series shown from 2009 to 2010. For me, K-9 Mark II, who debuts in the next season – Season 16 – is my favourite version of the character.
Tim Bradley:
The farewell between the Doctor and Leela is also very abrupt, rather quick and not very satisfying.

Leela: Doctor?
Doctor: Yes?
Leela: I will miss you.
The Doctor smiles and shuts the TARDIS door on them all.
He leans against the TARDIS console room door for a moment.
Doctor: I’ll miss you too, savage.
Tim Bradley:
It’s like after all they’ve been through, with the Doctor trying to teach Leela to be more civilised in Seasons 14 and 15. After all that, it seems to have come to nothing and with no emotional connection between them to the end. It undoes the Professor Higgins/Eliza Doolite relationship between them. 😦
And look, I know that the relationship between Tom Baker and Louise Jameson was strained in the time they worked together in the TV series. But surely, they could have had a longer farewell between each other. Don’t have the Doctor shut the door on Leela after she tells him she’ll miss him. It’s wrong!
Timelord007:
Bad writing. Both Jo Grant and Sarah Jane Smith had emotional farewells in their swansongs, but Leela’s exit is truly awful. She’s left behind on Gallifrey to be with Andred – a man she barely knows – and she has the TARDIS door being shut on her.

Tim Bradley:
The original DVD special features were as follows. There was a dual mono sound audio mix option for the story, and an audio commentary with Louise Jameson, John Leeson, script editor Anthony Read and visual effects designer Mat Irvine. There was a CGI effects option of the story and an info-text commentary option to enjoy.
There was the making-of documentary ‘Out of Time’ with behind-the-scenes cast and crew interviews. There were deleted scenes of the story, and ‘The Rise and Fall of Gallifrey’ behind-the-scenes featurette, which chronicles the development and history of Gallifrey in the classic TV series of ‘Doctor Who’. There’s ‘The Elusive David Agnew’, a mockumentary that examines the mysterious writer of ‘The Invasion of Time’. There were also some BBC continuity announcements of the story, and a photo gallery of the story. There was a ‘coming soon’ trailer for the ‘K-9 Tales’ DVD box set, including ‘The Invisible Enemy’, starring Tom Baker, Louise Jameson and K-9, and ‘K-9 & Company: A Girl’s Best Friend’, starring Elisabeth Sladen and K-9. There was also a ‘Radio Times Listings’ PDF of the story and an Easter Egg, which happens to be visual effects designer Colin Mapson examining the Crown of Rassilon prop that features in the story.

On Disc 6 of the ‘Doctor Who – The Collection – Season 15’ Blu-ray, the dual mono sound audio mix option, the DVD audio commentary, the CGI effects option, the ‘Out of Time’ making-of documentary, the story’s deleted scenes, ‘The Rise and Fall of Gallifrey’ featurette, ‘The Elusive David Agnew’ mockumentary and the Colin Mapson DVD Easter Egg can be found on there. The info-text commentary option and the photo gallery have been updated for 2024 on the Blu-ray. The BBC continuity announcements have been updated into BBC trailers and continuity announcements of the story.
The new special features on Blu-ray include the ‘Behind the Sofa’ feature on ‘The Invasion of Time’ with Louise Jameson (Leela), fan and critic Toby Hadoke and Betsan Roberts, wife of the late director Pennant Roberts as well as Colin Baker (the Sixth Doctor), Sarah Sutton (Nyssa) and Janet Fielding (Tegan) as well as Katy Manning (Jo) and Matthew Waterhouse (Adric). There’s a ‘Scene Around Six’ compilation of film footage showing Tom Baker on a promotional tour of Ireland. There’s ‘The Final Battle’ Season 15 Blu-ray trailer with three audio options, including stereo sound, 5.1 surround sound and Dolby Atmos sound. There’s the ‘Doctor Who Stories: Louise Jameson’ interview (taken from ‘The Face of Evil’ DVD), and a ‘coming soon’ trailer for ‘The Key to Time’ season (Season 16 of the classic ‘Doctor Who’ TV series), including ‘The Ribos Operation’, ‘The Pirate Planet’, ‘The Stones of Blood’, ‘The Androids of Tara’, ‘The Power of Kroll’ and ‘The Armageddon Factor’, starring Tom Baker, Mary Tamm and K-9 (taken from ‘The Time Warrior’ DVD). There’s a brand-new Blu-ray audio commentary for ‘Parts Four and Six’ of ‘The Invasion of Time’ with Tom Baker, moderated by Toby Hadoke.
On the PDF front, as well as the ‘Radio Times Listings’ of ‘The Invasion of Time’, there are production documents, six camera scripts and a videogram editing script. You need a special Blu-ray computer drive for that.
On Disc 7 of the ‘Doctor Who – The Collection – Season 15’ Blu-ray, the new special features on Blu-ray include the ‘Darkness & Light: The Life of Graham Williams’ behind-the-scenes documentary. There’s ‘The Panopticon Archive’ panel interview with Louise Jameson and John Leeson, moderated by John Molyneux; ‘The 50th Anniversary Archive’ companions panel interview with Louise Jameson, Katy Manning and Sophie Aldred, moderated by Matthew Sweet; and the ‘Monstercon II’ convention panel interview with Louise Jameson, moderated by Nicholas Pegg. There’s also the studio clocks compilation for Season 15, and an audio archive item where Louise Jameson appears on BBC Radio Bristol in March 1978.
Timelord007:
Wow! That’s a lot of special features. And a lot of words you’ve just said.

Tim Bradley:
So, to sum up, ‘The Invasion of Time’ is an enjoyable six-part ‘Doctor Who’ adventure to serve as the season finale in Season 15 of the classic TV series. It’s not great and there’s no denying in terms of the flaws it has. But I would certainly recommend giving it a watch if you enjoy Gallifrey and Sontarans. 🙂
The story contains a very intriguing scenario set on Gallifrey, especially in terms of how the Doctor initiates himself to become President of the Time Lords and behaves strangely. The build-up to the Sontarans is slow, but Tom Baker and Louise Jameson’s performances as their characters are excellent.
I advise you not to be too disappointed if you’re expecting there to be plenty of Sontarans featured in this story, as there’s very little of them to find in this ‘Doctor Who’ adventure. At least they have a good go in making an appearance and being worthy to invade Gallifrey, which is impressive, isn’t it? 🙂
It’s something no-one else has dared to do at that point. Yes, the Daleks would later battle against the Time Lords on Gallifrey in the Time War, as seen in ‘The Day of the Doctor’, but it’s amazing that it’s not the Daleks who did it first with invading Gallifrey. It was the Sontarans that managed to do that. 🙂
Timelord007:
‘The Invasion of Time’ is a mixture of what I love and loathe about ‘Doctor Who’. Parts of it are gritty and dramatic, whilst other parts are rather silly and cringeworthy. Tom Baker is excellent, as ever, as the Fourth Doctor, and John Arnatt is simply superb as Borusa whenever I see him in this six-part story.
Despite Louise Jameson’s good performance as Leela, her departure is poorly-handled and the inclusion of the Sontarans turned this political dramatic sci-fi adventure into pure pantomime. So yeah, ‘The Invasion of Time’ does have flaws, but at least Tom Baker’s excellent performance saves it.
Tim Bradley:
As for Season 15 overall, well, like I said at the beginning in my ‘Horror of Fang Rock’ review, this was a transitional season in the classic TV series as well as the Tom Baker era. It’s a season that saw a change in terms of style and approach from the end of one producer’s run to a new producer’s run. 😐
Graham Williams was finding his feet in terms of making his mark as the new producer of ‘Doctor Who’. But he was having to contend with already established elements in scripts commissioned by Robert Holmes, which had gothic horror elements that had been carried from Philip Hinchliffe’s tenure.
Season 15 starts off being like a season from the Philip Hinchcliffe era with ‘Horror of Fang Rock’ before it decides to switch in and out of stories that have light-hearted elements to stories that have gothic horror elements. ‘The Invisible Enemy’ is light-hearted whilst ‘Image of the Fendahl’ is very gothic horror.
‘The Sun Makers’ is where the Graham Williams era starts to come into fruition, especially with the tone and atmosphere being light-hearted compared to previous stories penned by Robert Holmes. ‘Underworld’ is the first story that delves into ancient myths and legends with a sci-fi take on them. 🙂
‘The Invasion of Time’ rounds things off in the season, but it’s a completely different tone to how the season began. ‘Horror of Fang Rock’ is dark and dangerous. ‘The Invasion of Time’ is a story that deals with political intrigue, but, as Timelord describes it, also takes things into the realms of pantomime. 😐
I wouldn’t say Season 15 is a bad season, but I don’t think it’s the greatest I’ve seen in the classic TV series. It’s certainly the weakest of the three seasons in Graham Williams’ tenure as producer of the TV show, as his next season – Season 16 – would prove how things would be better under his reign. 🙂
I enjoyed ‘The Key to Time’ season (Season 16) and Season 17 more than I enjoyed Season 15, because those seasons aren’t filled with Philip Hinchcliffe era-like elements that Season 15 has. Season 15 struggles in terms of trying to be a season that appeals to current fans whilst bringing the new ones in.
And I don’t blame Graham Williams for that. As I said, he was trying to find his feet in terms of how to be the new producer of ‘Doctor Who’. But it’s clear that the creativity behind the season wasn’t so stable, especially when you consider the limits and constraints of time and budget featured in the season.
I also wish the Fourth Doctor and Leela’s journey had been better-handled in Season 15 compared to how it began in Season 14. This is especially with the Professor Higgins/Eliza Doolittle approach of Tom Baker’s Doctor teaching Leela how to be civilised, which was done in the last three stories of Season 14.
But with the changeovers of producers and script editors from Philip Hinchcliffe to Graham Williams and from Robert Holmes to Anthony Read, the consistency of that relationship between the Fourth Doctor and Leela wasn’t so stable. This is evident when you see the characters in ‘The Invasion of Time’.
It’s a shame Tom Baker and Louise Jameson’s working relationship wasn’t the smoothest in the two seasons they did together, but I’m glad they’ve become good friends over the years, especially in the Big Finish audios they’ve done. And it was also great to see them joined by K-9, voiced by John Leeson.
Timelord007:
As for me, Season 15 of ‘Doctor Who’ is a mixed bag. ‘Horror of Fang Rock’ is an excellent start to the season and I’ve enjoyed ‘The Invisible Enemy’ more on re-watches. ‘Image of the Fendahl’ is another good story whilst ‘The Sun Makers’ is a satirical take on the UK tax system. ‘Underworld’ is a bit dull, but watchable because of Tom Baker. And ‘The Invasion of Time’ is a mixture of what’s good and bad about ‘Doctor Who’. I’ll never understand why they didn’t give the series a bigger budget, because the ratings were strong and the classic TV series has a strong fanbase.
Tim Bradley:
Season 15 isn’t the smoothest of ‘Doctor Who’ seasons when you watch it in the transitional phase it went through. I’m glad I’ve revisited the stories of Season 15 in its Blu-ray box set, especially when seeing them in the ‘Behind the Sofa’ items and being watched by ‘Doctor Who’ stars like Sarah Sutton.
Now the Doctor has left Gallifrey and Leela has stayed behind to be with Andred, K-9 and everyone else, it’s a matter of time before our intrepid Time Lord has K-9 Mark II built and finished to join him on his next set of adventures. Those set of adventures will have him on the quest for the Key to Time!

Tim Bradley:
Well, thank you again, Timelord007, for helping me out with this review on ‘The Invasion of Time’.

Timelord007:
No problem, Tim. As always, I’ve enjoyed our collaboration on this review.

Tim Bradley:
Well, that’s all from us, folks! End credits now. 😀
Sting music. Roll original 1974 Tom Baker end credits.
‘The Invasion of Time’ rating by Tim Bradley – 7/10
‘The Invasion of Time’ rating by Timelord007 – 7/10

‘DOCTOR WHO AND THE INVASION OF TIME’
Please feel free to comment on the review.
Let’s Invade Gallifrey Once More
For Terrance Dicks
This is the first time I’ve reviewed a Season 15 story in novelization/audiobook form! 🙂
‘The Invasion of Time’ was the first ‘Doctor Who’ story I’d seen in Season 15 of the classic TV series on DVD before checking out the other stories of the season. Therefore, it’s fitting that I should check out the Target novelization/audiobook of the story as the very first one.
At this point, I’ve not read the Target novelizations/audiobooks of ‘Horror of Fang Rock’, ‘The Invisible Enemy’, ‘Image of the Fendahl’, ‘The Sun Makers’ and ‘Underworld’. It’s only a matter of time before I check out those stories as novelizations/audiobooks on my blog.
In many respects, ‘The Invasion of Time’ is a ‘Doctor Who’ story that was written in a rush. This is especially when the original season finale of Season 15 – ‘The Killer Cats of Geng Singh’ by David Weir – ran into problems. Script editor Anthony Read had to resolve them.
You can tell that ‘The Invasion of Time’ suffered in terms of budget as well as enhancing character drama, particularly by the end with Leela’s departure from the TV series. It’s a TV story that you either like or dislike. 😐 Me personally, I don’t dislike ‘The Invasion of Time’.
But I wouldn’t say it’s a great season finale. I would have liked more Sontarans to have been featured in the story rather than have the Vardans take up the first four episodes and the Sontarans appearing in the last two. Leela’s departure could have also been better. 😐
Whilst I have my reservations about ‘The Invasion of Time’ as a TV story, what does that say about the Target novelization by Terrance Dicks? Would he improve things with regards to the story? Would ‘The Invasion of Time’ be better in print than on the TV screen?
I can’t say Terrance Dicks does in-depth and engrossing novelizations of ‘Doctor Who’ stories, as very often he would novelize a story that wasn’t penned or script-edited by him in a straightforward manner. He wouldn’t add too many additions or changes to the story.
Sometimes he would amend a weak aspect of a story that didn’t work on TV to fit in line with the prose audiences he’s writing for, but he generally keeps to what was shown on the TV rather than rewrite the story from scratch. I enjoy his novelizations because of that.
It’s fascinating that he novelized ‘The Invasion of Time’ for the Target range of ‘Doctor Who’ stories, as this is the second time he’s novelized a story featuring Robert Holmes’ version of Gallifrey. The first time was when he novelized the Gallifrey story ‘The Deadly Assassin’.
I’ve not read or heard ‘The Deadly Assassin’ Target novelization/audiobook at this stage, but I can tell Terrance is doing a follow-up to that through his novelization of ‘The Invasion of Time’. It makes sense, especially as he introduced the Time Lords via ‘The War Games’.
There are clearer references made to ‘The Deadly Assassin’ in ‘The Invasion of Time’ novelization, more so than when watching ‘The Invasion of Time’ on DVD and Blu-ray. There’s also a mention of the Master stealing the Great Key of Rassilon in the novelization.
I didn’t recall the Master’s name being mentioned in the TV story when reading/hearing ‘The Invasion of Time’ novelization/audiobook. I’ve checked a transcript of the TV story to be sure and it turns out the Master wasn’t mentioned in the TV story, which is fascinating.
‘The Invasion of Time’ as a novelization was published in February 1980. That would have been at least two years after the TV story was shown in 1978. Plus, Terrance wrote ‘The Invasion of Time’ novelization three years after ‘The Deadly Assassin’ novelization in 1977.
In terms of the book’s structure, the story is divided into 15 chapters. Usually when Terrance Dicks novelizes a four-part ‘Doctor Who’ story, he would give three chapters per episode to match up a 12-chapter structure in a book, which I find quite satisfying indeed.
Ideally, when novelizing a six-part ‘Doctor Who’ story, the chapter length should be at least 18. Lance Parkin did it when he wrote ‘Cold Fusion’ as a six-part story in book form. So, how come Terrance Dicks doesn’t do that for ‘The Invasion of Time’ with novelizing it?
Why is it 15 chapters instead of 18 chapters? Admittedly, Terrance Dicks has done this before when he novelized ‘The Time Monster’ as a 15-chapter book instead of 18 chapters, but I feel ‘The Invasion of Time’ is a small book compared to ‘The Time Monster’.
In reading and listening to ‘The Invasion of Time’ as a novelization, I found three chapters were provided for ‘Part One’, two were given to ‘Part Two’, three were given to ‘Part Three’, two were given to ‘Part Four’, two were given to ‘Part Five’ and three were given to ‘Part Six’.
It’s clear Terrance truncated quite a lot of scenes in ‘The Invasion of Time’ that were mostly padding in the TV story. Hence why the story is given the 15-chapter treatment instead of 18. Or maybe six-part stories were given 15 chapters instead of 18 in those days.
At least Terrance isn’t held back by budget restrictions when it comes to describing the world of Gallifrey and the TARDIS interiors in the novelization. At least the TARDIS interiors aren’t described as corridors in a disused hospital as what occurred in the TV adventure.
When checking out ‘The Invasion of Time’ novelization, I purchased the unabridged audiobook via Audible. I enjoyed the audiobook read by John Leeson, who played K-9 in the TV adventure. John Leeson has an engaging reading voice when listening to him on audio.
Granted, he doesn’t do an exact reaction of Tom Baker’s booming tones as the Fourth Doctor, but it’s interesting how he voices Leela with a higher tone to make her sound female on audio. And his voice for Castellan Kelner matches to Milton John’s voice on TV.
‘The Invasion of Time’ allows John Leeson the opportunity to play Sontarans, including Stor on audio. I mean, he got to voice Daleks in ‘Remembrance of the Daleks’, so, why not voice Sontarans in a Target audiobook? His voice for Stor is deeper than it sounded on TV.
It’s also fascinating that there’s not many scenes for John Leeson to voice K-9 in the Target audiobook compared to the TV story. Then again, K-9 doesn’t appear in every scene in ‘The Invasion of Time’ and when he does appear, he often does assignments in silence. 🙂
In terms of what’s different in the novelization compared to the TV story, apparently, Leela still has brown eyes compared to when her eyes changed from brown to blue in ‘Horror of Fang Rock’. I find that peculiar, since surely Terrance Dicks would have known about that.
Or maybe it was something that Robert Holmes as the script editor of that TV story added in after Terrance Dicks submitted his initial four scripts before production began. Then again, I’ve not read/heard ‘Horror of Fang Rock’ as a novelization/audiobook at this point.
In the novelization, it’s clarified the Doctor first heard about the Vardans’ attempted invasion of Gallifrey before the one in this story via a telepathic warning from the Matrix. I believe this was when he was inside the Matrix during the events of ‘The Deadly Assassin’.
The Capitol’s exterior gets described in the Target novelization as having sheer white walls and gleaming towers that can be seen from far within the cragged moorlands. Plus, airlocks separate the marbled interior from the exterior atmosphere. I find this intriguing.
Over the years, Gallifrey has changed in terms of design through sets and costumes. There hasn’t been a consistent design to Gallifrey every time we visit the planet. It’s interesting how Terrance Dicks describes the Capitol’s exterior in this story’s novelization.
It’s revealed in the Target novelization that no other Time Lord has attempted to run for the position of President since the Doctor’s declaration of candidacy in ‘The Deadly Assassin’. I find this peculiar, particularly since the Doctor has been absent from Gallifrey.
This is from leaving Gallifrey in ‘The Deadly Assassin’ to returning to Gallifrey in ‘The Invasion of Time’. I would have thought a re-election would have been called for in the Doctor’s absence. Did the Time Lords really anticipate the Doctor would come back to them?
This is especially when it seems with no other candidate brought forward, the position automatically fell to the Doctor as outlined in the Constitution of Gallifrey. It’s something that would be changed rather radically when we get to ‘The Trial of a Time Lord’, no doubt.
In the ‘Part One’ scenes set in Leela’s quarters, Andred apparently does return her knife to her in exchange for her presence at the induction ceremony. This is better than Leela snatching the knife from him when he didn’t expect it, as he should have guarded that knife.
When we have the Doctor’s induction ceremony as President, it’s explained more clearly as to what the search for the Great Key of Rassilon is. It’s established that the artefact was believed to be stolen by the Master when he fled Gallifrey in ‘The Deadly Assassin’. 😐
In the book, the candidate has to touch the empty pillow instead of a purely ceremonial gesture, which I found odd when watching ‘Part One’ of ‘The Invasion of Time’ on Blu-ray. It also transpires the Great Key that the Master had found in a museum was simply a facsimile.
The actual key lies in Borusa’s keeping. In the book, Borusa’s attempt to give the Doctor the incorrect key as shown in ‘Part Five’ is omitted. This is for the best in the novelization. It saves time for the Doctor to acquire that key instantly from Borusa than to be played with.
More is revealed about how Kelner acquired the role of Castellan from Spandrell, who was in ‘The Deadly Assassin’ and has retired by the time of this story. Apparently, Kelner succeeded in the Castellan role due to a combination of good birth and political intrigue.
Kelner’s office in the novelization is described as ‘an elaborate affair of transparent plastic and gleaming metals with complex control consoles and brightly flickering vision screens everywhere’. I don’t think the Castellan’s office was quite like that in the TV story.
In the novelization, the office is described as ‘gaudy’, even by Time Lord standards, but it helps to maintain his image. The Castellan is noted to have cultivated the Bodyguard Squad for similar purposes. It should be noted Kelner does get captured by Leela in the novelization as in the TV tale. 🙂
Unfortunately, Kelner goes unmentioned in Chapter 15 of the story. I just realised Kelner seems to have been forgotten about following his capture by Leela. I expected Terrance to provide a resolution on what happened to Kelner in the story. Sadly, that didn’t happen.
Stor the Sontaran is described as having a lipless mouth with blazing red eyes. Apparently, he removes his helmet after arriving on Gallifrey at the end of ‘Part Four’ in the novelization. This is in contrast to the TV story, as he removed his helmet in ‘Part Six’. 😐
Maybe Terrance Dicks wanted to recreate that same cliffhanger moment in ‘Part One’ of ‘The Time Warrior’ where Linx removed his helmet at the end. It makes sense, as we should have seen more of Stor’s face in ‘Part Five’ instead of having him be fully helmeted.
According to the Doctor, the fusion grenade that Stor used in the Panopticon will not only trigger a black hole beneath the planet, but also likely wipe out the Sontaran battle fleet as well. I don’t believe this was clear enough in the TV story compared to the novelization.
It’s revealed what happened to Nesbin, the Outsiders’ leader, when he was cast out of the Capitol for assaulting a rival Time Lord, which is an offence almost unheard of in Gallifreyan society. I’m glad Terrance Dicks added that aspect of Nesbin’s character there.
Although, it’s unfortunate that Nesbin doesn’t appear much in the story after parting company with Leela at the start of the attack on the Capitol when it’s occupied by the Vardans. He isn’t seen again until the Doctor’s final farewell in ‘Part Six’, which is unusual.
As I’ve indicated, the TARDIS interior is described as metallic rather than having brickwork as seen in the TV story. I like it that Stor charges through the door in the TARDIS’ sickbay than shattering the window panel when our heroes hide from him and his troops.
Andred being shot in the arm by Stor is more pronounced in the novelization compared to the TV story. When Stor charges through the door, he immediately sees Andred and he shoots him. This is instead of shooting him unawares when Andred is hiding behind a wall.
I’ve noticed that there are minor dialogues in certain scenes throughout ‘The Invasion of Time’ in the Target novelization. Most significant is when the Doctor orders Leela to shut up. Instead of relaying to K-9 thoughtlessly, she repeats the instruction in outrage before K-9 complies.
Andred also vows to strike back at the Lord President in front of Leela instead of after and Rodan have gone outside the Capitol. I suppose Andred should be lucky that Leela didn’t kill him then, as Leela would have warned Andred not to do anything to hurt the Doctor. 😐
The bodyguard whom Kelner assigns to the Doctor gets names in the Target novelization and he happens to be called Varn. He’s described as ‘very big, very brave and very stupid’ (Very harsh on the last description there 😐 ) with a single-minded devotion to the Castellan.
The two Outsider characters Jasko and Ablif are merged into Jablif in the story. Not that you’d know that, as Jasko and Ablif weren’t really major characters in ‘The Invasion of Time’. Although, both Jasko and Ablif do appear as separate characters in earlier scenes.
Whoops! 😀 Leela’s departure in the novelization does feel more abrupt compared to the TV story. At least the Doctor actually says, “I’ll miss you too, savage” to Leela before he shuts the door on her rather than shutting the door first and saying it inside the TARDIS. 🙂
‘Doctor Who and the Invasion of Time’ has been an enjoyable reading and listening experience in terms of a novelization and audiobook. I can’t say it changes my mind on how I feel about ‘The Invasion of Time’, especially as Terrance doesn’t change much to it.
But it’s been intriguing how Terrance has translated ‘The Invasion of Time’ into prose form, especially since he wasn’t involved in the TV story’s production at the time and he does it as a follow-up to ‘The Deadly Assassin’ novelization, which I do greatly appreciate here. 🙂
A revelation I’ve had about ‘The Invasion of Time’ is that it’s a story that’s dependent on plot than on character drama. It’s something that loses it appeal in the story, especially when you consider Leela’s departure was done in a rush and written at the last minute. 😐
Despite that, I’m glad I checked out ‘The Invasion of Time’ as a novelization by Terrance Dicks and I enjoyed it more with the audiobook read by John Leeson. I’m glad I’ve satisfied my curiosity on how ‘The Invasion of Time’ is presented in prose from than via visual form.
‘Doctor Who and the Invasion of Time’ rating – 7/10
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I enjoyed our collaboration on this review Tim, i think our contrasting styles of reviewing makes for a lively review & we do share a wonderful rapport, i think we captured the good, the bad & the ugly of what we both like/dislike about The Invasion Of Time.
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Thanks Simon.
I enjoyed doing this review with you and glad we did a crossover on ‘Bradley’s Basement’ with ‘The Invasion of Time’.
Hope you approve of the photos I’ve added to this review as well.
Tim. 🙂
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Love the photos & you selected them to match our thoughts on this review.
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Pantomime issues with classic Dr. Who can be disappointing, certainly when they involve an adventure with serious potential and familiar villains like the Sontarans. As for farewells of companions like Leela that can deserve better treatment, I’d have liked to have seen her stay for a third season. But in retrospect, it was an agreeably better decision for Louise to spread her sci-fi wings to The Omega Factor.
Quite true that the new Vardans are one area where CGI updates serve classic Dr. Who best as well as Stor’s death by the D-Mat gun. The final shot of Tom Baker smiling to us all is the nicest way to end a season finale for Graham Williams’ era as with The Armageddon Factor and Shada. Thank you, Tim, for your review.
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Hi scifimike,
Thanks for sharing your thoughts on ‘The Invasion of Time’. Glad you enjoyed the review. I wish this story could have been better with having more screen-time for the Sontarans as well as a better-handled exit for Leela. Despite that, this is a decent end to Season 15 and it was nice to see how the Doctor revisited Gallifrey by becoming the Time Lord President to thwart the Vardans and eventually the Sontarans. Yes, the CGI effects version of the story on DVD makes it better compared to the transmitted version. And yes, Tom Baker does smile to us at the end of each season of Graham Williams’ era, including ‘The Invasion of Time’, ‘The Armageddon Factor’ and ‘Shada’ (both of them, including the 1992 version and the 2017/2021 version). Thanks for noticing that.
Many thanks for your comments.
Tim 🙂
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You’re welcome. It was indeed a significant change from how The Seeds Of Doom and The Talons Of Weng Chiang ended the previous two seasons.
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Thanks scifimike,
I’m looking forward to when I get a chance to update the Season 15 reviews, including ‘The Invasion of Time’ review, once it comes to the Season 15 Blu-ray box set whenever that comes out.
Tim 🙂
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Leela’s departure is a bit frustrating, actually. The solution was right there in the story itself. Leela is from the Sevateem… She spends a great deal of time with the Outsiders… Why doesn’t she go with them after the fact? Someone to bridge the gap between their society and the Capitol?
(If we did this story today, she’d probably have gone off with Rodan as the Gabrielle to her Xena, but hey, it was the ’70s…)
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Hi Wolfie,
That’s a very good point. The answer to the solution of leaving Leela behind on Gallifrey was right there in plain sight when the script was being written in a rush. Leela staying behind with the Outsiders is a good enough reason to stay behind on Gallifrey instead of apparently having fallen in love with Andred when no build-up to that relationship was provided. I’m surprised Anthony Read and Graham Williams didn’t see that when writing Leela out of the series. It’d be so fitting for her character. I’m sure Louise Jameson would have been okay with that reason for her departure rather than staying behind with Andred (lucky though he is 😆)
Many thanks for your comments.
Best wishes,
Tim 🙂
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Cheers, Tim. Interestingly, you’ll find one-for-one novelisations are something of a modern rarity. There’s a reason for that.
20th-century adaptation was often about preservation. Back before home media, there was no video cassette, no DVD, no Blu-ray, no Laserdisc, nothing that could be used as a viewable resource. You either went to the cinemas or turned on your television set, or you missed it.
For Doctor Who, you had to rely on reruns and, of course, the Target Books. In the mid-1980s, FASA’s Doctor Who RPG relied on a combination of Target novelisations and second-hand VCR recordings from fans to write their gamebooks (hence the phrase: “Keep circulating the tapes“).
In retrospect, you can understand why there was such a push to novelise those early ’60s stories in the ’80s. Where else were you going to be able to experience these stories? Novelised by their original writers, you get the tale from the horse’s mouth (and, with John Lucarotti, actually a better version of The Massacre than the one on television).
21st-century viewing is quite different. With streaming and home media, everything is accessible. You can pull up a copy of The Abominable Snowmen on the BBC iPlayer, Britbox or a Collections boxset, and watch that at home. Everything within your control. What you watch, how you watch it, and even at what pace you watch it, too.
Now, that opens up an interesting question: What is the point of a novelisation in the new ’20s?
Is it to preserve? No, we have other means of doing so.
Is it to revise? Potentially, but that’s covered in Special Editions, Director’s Cuts, and so on.
Is it to expand? Now, that’s a possibility…
Novelisations have always been a way for authors — whether they were the original scribes or a new adaptor — to change the emphasis of the pre-existing story. Add a new layer of context and understanding that may only have been implied in the televised version.
(In fanfiction, it’s called “fix fic”.)
If done well, it shores up the strengths of the pre-existing tale, while remedying some of its production shortcomings; e.g. Why is Seabase 4 blindingly overlit? To protect the crew’s sanity against the screaming darkness of the deep ocean outside. (Terrance Dicks’s Warriors of the Deep.)
If done poorly, it’s change for change’s sake; e.g. Why, oh, why, does Ned Buntline tell his story with the Doctor shooting two innocent women to death by accident with a shotgun? What does that add to the narrative? (Donald Cotton’s The Gunfighters).
Beyond Doctor Who, it’s comparatively rare to get novelisations that are strict one-for-one adaptations. Star Trek II: The Wrath of Khan introduces us to every single scientist on the Regula station, so when Khan murders them, we know their names and faces. Raiders of the Lost Ark paints the friction between Indiana Jones and Marion as far more than romantic tension, Indy’s partly responsible for her father’s death. Even The Dark Crystal goes into copious detail on the UrSkek, the Great Conjunction and the Schism.
Doctor Who was unusual. A Target Book was a source of record, but also… If we look at Terrance Dicks’s workload… Let’s take a gander at The Invasion of Time‘s novelisation. Now, that’s 1980. In 1980, Target put out ten novelisations. Ten. In one year. One of them is written by Philip Hinchcliffe. The rest are written by Dicks. He doesn’t have time to embellish.
When he does, he’ll come up with some quite splendid internal character thoughts and worldbuilding tweaks. He’ll do, what a novel author should do, develop hidden currents and explore the unspoken.
Broadly speaking, for any book, whether it’s novel or novelisation: If there isn’t anything more to it beyond what is said and done… The author has denied themself one of the strongest virtues of the medium. The exploration of what is thought and what is unseen. And if the book has failed at touching that, then it has failed, utterly and totally, as a book.
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A most particularly fitting love story for Leela should have been considered indeed.
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Hi Wolfie, Hi scifimike,
Thanks for sharing your latest thoughts.
Regarding novelizations, it’s very fascinating how there happens to be novelizations on new TV series episodes when the need for them isn’t necessarily a requirement nowadays, considering we can check out the episodes on DVD, Blu-ray, BBC iPlayer, ITVX and other streaming sites available. It’s always good to check out these stories in prose form, especially when you discover a new addition to a story you didn’t come across when it was shown on TV. There are two aspects of ‘The Church on Rudy Road’ novelization concerning Ruby Sunday that I’m looking forward to sharing when I finish my read/listen of the story in novelization/audiobook form soon. I’m also looking forward to checking out the ‘Space Babies’, ’73 Yards’ and ‘Rogue’ novelizations/audiobooks and find out whether they fare better in prose form compared to televised form. In my experience, I’ve enjoyed some of the movie novelizations like the original ‘Spider-Man’ trilogy books by Peter David, the ‘Fantastic Four’ movie novelizations from 2005 and 2007 and the 1989-1997 ‘Batman’ movie novelizations, as they provide more depth to the stories compared to how the movie counterparts did things.
Regarding Leela’s romance with Andred, I honestly would have been fine with it if we actually saw Leela and Andred spending time together and becoming a couple. I know ‘Doctor Who’ was pressed for time in those days, but you don’t pair Leela with Andred without the emotional and intimate build-up between them. Having Leela and Andred together would have been great if ‘The Invasion of Time’ explored their relationship, which it sadly didn’t. And as Wolfie pointed out, the solution was gift-wrapped for Anthony Read and Graham Williams when the script was written in Leela potentially becoming an Outsider, which would fit well for her in being a warrior of the Sevateem. It’s clear Anthony Read wasn’t into the character of Leela compared to Robert Holmes, which is a shame. So, the idea of Leela and Andred being a couple is not a bad one. Not exploring them as a couple in ‘The Invasion of Time’ both on TV and in novelization/audiobook form is definitely bad.
Many thanks,
Tim 🙂
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Even for a 6-episode story, some elements may not have enough time. So if a Target novel or any other adaptation could have compensated for that with a proper buildup for Leela finding romance with Andred, that certainly would have been good. When a companion leaves to be with someone they’ve fallen in love with, particularly in reflection of Susan and Jo, how they’ll say goodbye to the Doctor may get a little more attention. So I gave that much when seeing Leela say goodbye to the Doctor with his last words: “I’ll miss you too, savage.” said just after he closes the TARDIS door indicating his confidence and that she’ll be fine.
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Leela’s handling in the story is certainly perfunctory. The producers/writers unfortunately wouldn’t have gone for the Leela/Rodan connection either through ignorance or fear. Homophobia being a contributing cultural factor, sadly. I’m more likely to give them the benefit of the doubt and say it was ignorance. Visibility like that just didn’t exist in television of the time (nowadays, there’s zero excuse).
(As a side-note: Bob Holmes, for all his deceptively transgressive writing, often has queer-coded characters in his scripts. Particularly his more adult-orientated ones. What makes it particularly interesting is that — if they are portrayed as villains — they’re often sympathetically written. Tragic or harmless, rather than monstrous. And that’s a recurring feature of Holmes’s work.)
A companion leaving for love is often condemned as “trite” and “unimaginative”, but in the grand scheme of the programme’s 26 seasons… I think it only happens, maybe, four times? Over more than twenty years?
Both Susan and Jo’s departures are heartbreakingly organic. In both instances, the Doctor deciding to put the emotional welfare of his companion before their own. Both off to build a better world (and it’s difficult telling who has the tougher job). Vicki’s departure, on the other hand, was done to spite her actress, Maureen O’Brien, and so is deliberately quite snappish. Boo, I say to that, she deserved far better.
Leela’s exit, therefore, marks a regression to the turbulent years of Season 3 or 4, under Tosh/Wiles and Davis/Wiles, where companions were shunted out the TARDIS without ceremony. She didn’t need trumpets and a choir, but it’s definitely an ending for a character that zigged where it should have zagged.
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I’m sure that if Philip Hinchcliffe were allowed to continue with Doctor Who into Season 15, he would have arranged something particularly better for Leela’s farewell.
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Bob Holmes did toy with the idea of killing her off in The Sun Makers… I wonder if they’d have gone through with it? I do recall Louise Jameson saying that she’d have preferred Leela to die in battle.
Isn’t that an interesting alternate universe, actually? We get to the end of The Armageddon Factor and Leela is killed saving the Doctor from the Black Guardian. That’s quite poetic, given her natural inclination to protect him. Grim, but poetic. Chris Boucher would certainly have done it…
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Hi scifimike, Hi Wolfie,
Thanks for sharing your latest comments. Yes, it’s a shame regarding how Vicki left ‘Doctor Who’, considering Maureen O’Brien wasn’t well-treated in terms of her exit. Having Vicki to stay behind with Troilus in Troy or wherever they ended up in Greek times is not bad and I’m glad Vicki found romance with someone. It just doesn’t hide the fact that Maureen was written at the beginning of Season 3 of the classic TV series, especially when she hadn’t been consulted on her departure.
In my opinion, Nyssa’s departure in ‘Terminus’ is very well-handled compared to Leela’s, considering there’s the build-up to her leaving with contracting the Lazar’s disease, spending time with the victims and eventually working on a solution to curing everyone of Lazar’s and providing the hydromel the Vanir need on the hospital, prompting her to depart the TARDIS. It would have been so easy for Nyssa to say she’s deciding to stay behind on Terminus because she’s fallen in love with Olvir since they’ve spent quite a bit of time together, especially when he kept trying to rescue her. Thankfully, they didn’t go in that direction, especially as Nyssa had only known Olvir for like a day or so that probably wouldn’t have been enough to allow that romance to happen. When I wrote ‘Into the Death-Space’, an alternative version of Nyssa’s departure in ‘Terminus’ where Billy stayed behind with her, I’d built up the romance that blossomed between Nyssa and Billy in my ‘Fifth Doctor’ series to justify them being together whilst having to stay behind on Terminus at the same time. If Tegan had decided to stay behind on Terminus with Nyssa in the actual TV story, maybe their coupling in ‘Farewell, Sarah Jane’ would be justified. As is, their inclusion in that webcast is rather fleeting and we don’t get to find out how Nyssa ended up with Tegan in the first place unless you count ‘The Passenger’ as something that actually happened instead of it being a dream created by the Mara in Tegan’s head. But I digress.
It would have been very interesting to see how Phillip Hinchcliffe handled Season 15 of the classic TV show as producer compared to Graham Williams. It’d certainly be darker and more gruesome compared to how things ended up in the actual Season 15. I would’ve welcomed Leela appearing in ‘The Armageddon Factor’ to help the Doctor, Romana and K-9 Mk II out. It’d also be amusing to see K-9 Mk I and K-9 Mk II meeting each other as well as Andred helping Leela out with helping the Doctor and Romana to search for the sixth and final segment of the Key to Time. Leela’s self-sacrifice in ‘The Armageddon Factor’ would have been justified if that were allowed to happen there instead of ‘The Invasion of Time’. It’s a shame Leela didn’t make an appearance in ‘Arc of Infinity’ and ‘The Five Doctors’ to follow up on how things have been with her and Andred, despite Damon saying she’s ‘very happy’. Incidentally, how did Damon know about Leela to begin with? 😀
Many thanks both.
Tim 🙂
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Ooh, yeah… Damon, like Hedin, doesn’t get a backstory and it’s particularly glaring given how chummy he is with the Doctor. They’re just kind of lumped in as “old friends” that we’ve never seen before and won’t see again.
I remember there was a theory floating around that Damon was a companion from Season 6B and knew the Doctor from those days. It’s anyone’s guess, though. No one’s gone near the character since (outside of Rich Morris’s unofficial The Ten Doctors which kills him off).
Did you do anything with Damon in your stories, Tim?
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Hi Wolfie,
Not yet, I’m afraid. The only characters I included from ‘Arc of Infinity’ in ‘The Prime Factor’ are Commander Maxil and the Castellan. Borusa was mentioned, but he doesn’t appear due to his regeneration from Leonard Sachs to Philip Latham. I wouldn’t dismiss the possibility of doing a ‘Doctor Who’ story featuring Damon. Whether he’d be played by Neil Daglish or someone else is another matter.
Best wishes,
Tim 🙂
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Perhaps Damon was related somehow to Andred. Just a thought.
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Very probably. Who knows? 😀 Tim 🙂
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The thoughts on the companions they considered killing off before Adric can be astonishing.
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And it’s easy to forget that Adric wasn’t the first ‘Doctor Who’ companion to be killed off in the classic TV series. It was Katarina. 😀 Tim 🙂
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And it’s interesting because Katarina sets the standard. She dies, quite horrifically, but by her own volition. Trying to save the Doctor, Steven and Bret.
It’s not exactly clear in the version we have now, but the script depicts Kirksen, the man who killed, her screaming and howling in the vacuum. Enraged and terrified. Katarina, by contrast is entirely at peace. Eyes closed. It looks as though she’s only sleeping. She doesn’t suffer.
Sara, on the other hand, does suffer. She comes back to help the Doctor and her aging to death is slow enough for her to feel her bones turn to dust. It’s a wonderful moment where Steven has gone to the Doctor’s fallen body and the Doctor is outraged that he’s put himself in danger for him. “Will you get back to the Ship?” He shudders and then screams with his last vestige of strength: “GET BACK!“
When the Doctor and Steven lament their losses on Kembel, it struck me that the Doctor’s “terrible waste” comment about them losing their lives, pointlessly, wasn’t in stopping the Daleks. It was in saving his life. The Doctor’s never been the same since.
Now, I don’t think they were ever going to kill off any of the Second Doctor’s companions. Jamie eventually was, but that was in the ’80s. The Third Doctor, likewise. By the Fourth Doctor’s time, there were plans in place to kill Sarah Jane (by Douglas Camfield), kill the Brigadier (by Dave Martin and Bob Baker), kill Leela (by Bob Holmes)… I think Philip Hinchcliffe, at least, was cowed by the pressure the series was under by that point to be “family entertainment”.
Then John Nathan-Turner blew up Adric. I don’t think the character would’ve had the staying power he does without that exit. The idea that Doctor Who would kill off a member of its own main cast, a teenager, gave it an edge that it hadn’t in years. I wonder how many were surprised that Tegan wasn’t killed, or Turlough.
Of course, the reaction to Peri — quite well-loved by then-audiences, in comparison — put paid to companion deaths occurring for quite some time after. A shame because I think her death on Thoros Beta is one of the series’s finest moments. Perfectly acted, perfectly written and the coldest of the bunch. The Doctor being forced to watch events that have already happened. Peri is already dead. We’re just catching up.
Big Finish’s predecessor, Audio Visuals, followed the trend to its natural conclusion. All but two companions with the Nick Briggs Doctor are killed. And of those two: one ascended to a higher plane of existence and the other was going to be killed in the abortive next season. We even have a would-be new companion who’s murdered with cyanide by one of the Doctor’s enemies.
So, in terms of fandom that choice lingered in the mind. It’s not until this recent trend of keeping the door open to sell more product — and this isn’t solely a Doctor Who criticism, although it’s certainly there — that character deaths stopped having impact.
When a companion was dead, they were dead-dead. Forcing writers (and the audience) to actually deal with uncomfortable emotions instead of stuffing them away in a sock drawer. Star Trek: The Next Generation‘s The Bonding is an astonishing story for that. The consequences of running away from frightening emotions.
(Alan Moore, of all people, had a strikingly effective way of addressing the discrepancy in what he wrote. He’d often begin with a dream, a marvellous wonderful fantasy, where everything is just idyllic. Oh, so joyful. Let’s cheer and, literally, dance around. The character gets everything they’ve ever wanted. The dead are alive! It was all a nightmare! A ruse! A lie! Everything’s fine! We spin, and spin, and spin–
And then, the the rug is ripped right out from under the character and we’re back to the narrative. The real narrative. “I wake up and [she’s] still dead.” It’s the Oppenheimer moment where he saw a dress in the window, thought that his wife would love the dress and should tell her — and remembered she’d passed years ago.
It happens. It’s part of moving along and, I think for the Doctor, they’d understand more than most. Particularly when none of the characters get to choose how it ends.)
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Many thanks, Wolfie.
Just in case anyone’s interested, Critical Penguin has shared the Audio Visuals plays of ‘Doctor Who’ starring Nicholas Briggs as the Doctor on YouTube. You can find it in the playlist link here – https://www.youtube.com/playlist?list=PLSuCKqYZEOjqexHKBJN28XmGCzUu28rW4
Enjoy!
Hopefully I’ll get around to checking out and reviewing the Audio Visuals plays someday.
Best wishes,
Tim 🙂
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Oh, that’s brilliant! Well done to Critical Penguin for getting them together. It’s an amazing piece of Doctor Who history. The latter half of the Audio Visuals range might be of particular interest to you, Tim.
I have Justyce Served, the behind-the-scenes book for the series, and I think Gary Russell (the producer of that final season) said that the Justyce saga took a page from the Spider-Man of the time. Truer to something like, say, Kraven’s Last Hunt; i.e. more of a psychological thriller, darker themes, greyer moral boundaries, etc.
If you’re looking to start with the regeneration story — that’s The Time Ravagers.
I think Conglomerate is a great jumping on point if you’re looking for the first “event” story.
Everything from Deadfall to Justyce is frankly incredible. The Justyce saga sets the standard for what we’ve come to expect from Big Finish. I wouldn’t go into it cold, though. It relies on characters and stories from Conglomerate onwards.
(I also have a content warning for Cuddlesome in Season 4. If Project: Twilight or Creatures of Beauty made you squeamish… Cuddlesome does feature extremely dark themes, so go into it cautiously.)
Other than that, yeah, it’s fantastic to see them publicly available. The Alchemists of Fear borrows a lot from the tone of Planet of Lies. It’s the standard I wanted to hit for “a story as if written in the ’80s”. If I were to continue the Sixth Doctor, Peri and Frobisher stories, they’d feel a lot more like Audio Visual entries than anything else.
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Thanks Wolfie,
I know that certain stories in the Audio Visuals plays series like ‘The Mutant Phase’, ‘Minuet in Hell’, ‘Sword of Orion’ and ‘Cuddlesome’ have been adapted into Big Finish audios as well as ‘More Than a Messiah’ being adapted into a BBV film for ‘The Stranger’ series. Hopefully, I’ll have a chance to check out these stories soon and make comparisons on certain stories that were adapted later for productions by Big Finish and BBV.
Many thanks,
Tim 🙂
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I throughly enjoyed revisiting our updated review on this story with you Tim & while my original thoughts remain the same it’s good to compare the DVD & Blu ray versions of the story.
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Hi Simon,
Thanks for helping me updating our review on ‘The Invasion of Time’. It’s been great to revisit this story, especially in its CGI form on Blu-ray, and I’m glad I’ve been able to check out the Target novelization/audiobook by Terrance Dicks, read by John Leeson, to complete my experience of ‘The Invasion of Time’ as a ‘Doctor Who’ story. Thanks for sending me your extra thoughts on the story in the review.
Best wishes,
Tim 🙂
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The novelisation also falls into that period where — aside from a few entries here and there — Terrance Dicks is pretty much running the Target range. I’ve a strong feeling that the nomenclature we use now (“TARDIS”, “scanner”, “console”, “materialisation”, and so on) comes from just how ubiquitous Dicks ultimately became.
I think you might be able to track Dicks’s time as a children’s book writer in his own right by when the novelisations start to get a bit thinner and perfunctory. He feels almost bored writing Arc of Infinity, for instance, and it translates onto the page (right up to the Ergon as a giant green lizard). The Five Doctors feels like a reaction to it.
In The Invasion of Time, Stor’s lipless mouth with blazing red eyes — something I borrowed for Quasar of Sarfenia, I think — is Dicks’s standard description of a Sontaran across all their appearances. Delightfully, it’s even included in Shakedown, when he writes what is potentially the best Sontaran story ever:
The Sontaran’s huge round head seemed to emerge directly from the massive shoulders. The hairless, strangely ridged skull was covered with leathery greenish-brown skin. The nose was a pig-like snout, the cruel mouth long and lipless.But the worst thing of all was the eyes. Small and red, they glowered out from beneath bony ridges, like savage fires burning deep in a cave.
“Blazing red eyes” and “a lipless mouth” for a full novel, rather than a novella.
What’s telling to me is Terrance Dicks adding continuity to The Deadly Assassin. That novelisation is three years before and almost twenty Targets apart. He always had a respect for Robert Holmes’s scriptwriting. Dicks never changed the dialogue, if he could help it, and he tended to lean into their intensity rather than away from it.
(I distinctly remember one scene. A hypnotised guard is trying to interfere with the unconscious Doctor’s body. On television, he’s shot once by Spandrell and killed. In the book, Spandrell has to keep shooting him until he hits the ground to stop him from killing the Doctor.)
One of the most intriguing parts of The Invasion of Time for me is the relationship between the Doctor and Borusa. Like The Twin Dilemma and Azmael, it’s probably the best part of the narrative. You can see the difference between how Dicks writes it and how it’s played on television.
On the page, Borusa is far more genuine and credulous. He’s delighted to see the Doctor, rattled by his accusations, and much more transparent in his intentions. That’s certainly entertaining to read and plays into the inherent pomposity of the Time Lords.
On television, however, he’s positively glacial, which fits with his rule about detachment and maintaining an inner discipline. That’s more interesting, certainly. It feels like his loyalties are to Gallifrey first and he would probably set the Doctor up to die — if the situation called for it. Fondness or no.
The Vardans get an interesting reinterpretation, too. Half-materialised, they are: “cloaked and hooded figures with the vaguest hint of features under the hoods.”
The whole story feels far more like a space opera than the political thriller of The Deadly Assassin. Even in prose, we’ve lost something of that ghoulish atmosphere from Holmes’s interpretation. It almost feels like the change from Spandrell to Kelner is a comment on the grime of the ’70s to the gloss of the ’80s!
Funnily enough, Terrance Dicks will get one more chance to tackle Time Lord society in a Target book for The Mysterious Planet. The station will be “ribbed pillars” and “fussy grilles“, supported by a “riot of castellated ornamentation” with a “rich, golden hue.”
It’s telling that in the late ’80s where Target has tried exceptionally hard to get original ’60s stories novelised by their original authors that Dicks has more breathing room to tell his tales. During this late ’70s period, you’ll see his writing perk up if the story interests him. Otherwise, it’s a competently-delivered adaptation from an age before home media.
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Hi Wolfie,
Thanks for sharing your thoughts on ‘The Invasion of Time’ Target novelization.
I don’t recall Terrance Dicks seemingly almost bored when writing the ‘Arc of Infinity’ novelization. I just proof-read and updated my review on the ‘Arc of Infinity’ novelization/audiobook slightly (scheduled sometime for Easter along with the other ‘Arc of Infinity’ reviews). I recall enjoying Terrance’s take on the story. Then again, it’s not in-depth compared to other Target novelizations, especially when Terrance didn’t write ‘Arc of Infinity’ in script form himself and he basically translated the scripts into prose form as part of the routine. Same can be said for how he handles ‘The Invasion of Time’ novelization, although his links to ‘The Deadly Assassin’ are very good, much like how the links to ‘The Three Doctors’ in the ‘Arc of Infinity’ novelization are very good.
I recall you including Wulfe having red eyes in ‘Quasar of Sarfenia’. Ah, so that’s where you got it from. I see the connection. Nice inclusion for Wulfe and Sontarans in general in ‘Quasar of Sarfenia’. 😀 It’s been a while since I’ve read ‘Shakedown’, but I thoroughly enjoyed reading the book when I did my research for Sontarans in writing ‘The Stockbridge Terror’. I’ll have to do a review on ‘Shakedown’ sometime, including the book, the film and the audiobook read by Dan Starkey, which I have on Audible.
Well done for pointing out Borusa being happy to see the Doctor in ‘The Invasion of Time’ Target novelization. That just came back to me. Also good of you to point out Borusa’s relationship with the Doctor being more genuine and that he’s rattled by the Doctor’s accusations, which wasn’t clear in the story’s presentation on TV. Also good pointing out how Borusa maintains detachment and places loyalty to Gallifrey first in the TV story whilst the novelization explores a bit of his personal feelings in terms of his relationship with the Doctor. Yes, the Vardans are better handled in the novelization and whilst it doesn’t match to their CGI forms on DVD and Blu-ray, at least they’re not described as tinfoil creatures by Terrance.
I hope I’ll get a chance to review ‘The Mysterious Planet’ novelization someday, although knowing that’s the first story of ‘The Trial of a Time Lord’, it will mean having to do a mega-review on all four novelizations/audiobooks of ‘The Trial of a Time Lord’ story. More so than what I did when novelizing the two novelizations/audiobooks of ‘The Daleks’ Master Plan’. We’ll see what happens. 🙂
Many thanks for your comments.
Best wishes,
Tim 🙂
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The specific differences between the TV story versions and the Target novels, as well as how the Target novels can verbally portray what was originally visualized on the screen (certainly the special effects at the time), were quite often a fascination for me.
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Definitely! Okay, so… What’s particularly fascinating for me is that the Target novelisation is informed by two things: the original story (as remembered or not), and media that the reader has absorbed in the interim.
If you read ‘The Wheel in Space’ novelisation for the first time in 1988 — what does the Wheel itself look like? Do you picture Hugo Drax’s space station from ‘Moonraker’? How about the Earth Spacedock from the recent ‘Star Trek’ film? Or is it Gateway Station from ‘Aliens’?
What happens if you read it for the first time ten years later in 1998? Do you see Mir from ‘Contact’ and ‘Armageddon’? Does it become far more like a disaster film? Or do you see the Wheel as the Ticonderoga from ‘Starship Troopers’? Or like the GoldenEye from the film of the same name? Far more utilitarian and barren?
‘The Seeds of Doom’ will always be a Sixth Doctor and Peri story because that was what was freshest in my mind when I was reading it. Scorby will always be played Lew Collins and Harrison Chase with his “extraordinarily large eyes” will always be Donald Pleasence “first”. The televised story is a classic, but it will always feel like an “adaptation” because the image in my mind’s eye is so different. That’s true for ‘The Ark’, ‘Warriors of the Deep’ and even something like ‘Image of the Fendahl’.
Where it gets particularly interesting is when human memory — which is notoriously fallible — overtakes the original with this supplemental material. I wonder how much of ‘Doctor Who’ fandom, its opinions and reputation, is actually based on Target Books, rather than the televised stories. We saw this with ‘Enemy of the World’. It was considered “not terribly good”, then we got the originals directed by Barry Letts, and it’s another certifiable classic.
Therefore, I wonder if the “baseline” for a ‘Doctor Who’ story — i.e. what we consider to be the “standard” format for the classic series — would have been different if we’d adapted some Doctors before others. It’s not just exposure to these incarnations that defines fandom ideas, it’s consistent re-exposure.
And that’s where retrofuturism comes in. Deliberately recreating a past version of what the future would look like.
It’s a fairly new word for an old idea, but ‘Doctor Who’s Big Finish arm relies desperately on that to survive. The audio stories aren’t just new stories with familiar Doctors, they’re the stories you ‘remember’. A far more difficult thing to achieve. Anderson Entertainment’s ‘Thunderbirds’ range takes cues from the stories of yore, while updating them to modern sensibilities that have marched on since the post-War years of the ’60s (we arrest, rather than kill our adversaries).
It’s why one-for-one duplications of older tales tend to fall a bit flat. Feel a bit empty. Fans don’t want those stories verbatim. They want the stories they remember them being. And the problem there, of course, can be that their imagination has since long marched on (or muddied).
It can certainly be done. Watching the Special Editions of Season 25 captures the wow factor of seeing those stories for the first time. But it’s incredibly hard to achieve. You have to be a bit of a historian as well as a writer. You have to know how storytelling works in modernity and in the past, and make them both work for you.
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Hi scifimike, Hi Wolfie,
Thanks for sharing your thoughts on the Target novelizations of ‘Doctor Who’. I’m currently checking out ‘The Church of Ruby Road’ novelization/audiobook at the moment and hope to revisit the ‘Snakedance’ noveliztion with the audiobook soon as well as ‘Attack of the Cybermen’.
It’s fascinating when checking out these novelizations – both ‘Doctor Who’ and non-‘Doctor Who’ to find what’s similar and what’s different in prose form. Very often, the novelizations are straight-forward translations of the TV stories or films they’re based on when the author works from the original script or scripts. There are more in-depth novelizations that take a story to new levels like the latest ‘Warriors’ Gate’ novelization by Stephen Gallagher and the ‘Black Orchid’ novelization by Terence Dudley. I’ve also enjoyed James Goss’ novelizations of ‘The Pirate Planet’ and ‘City of Death’ and Gareth Roberts’ novelization of ‘Shada’, as they add more depth to the stories compared to what the TV presents us. I’m glad those novelizations explore more of that in order to satisfy our curiosity on how certain characters behave in certain stories and how their actions justified in the novelizations whereas the TV or cinema is pressing for time to get a story told.
There are novelizations that can be frustrating in trying to do something and veer away from the original source materal, which I sometimes find a challenge in comparing and contrasting a novelization to a TV story or film. With ‘Doctor Who’, I found ‘The Romans’ and ‘The Gunfighters’ novelizations frustrating as well as the ‘Dalek’ and ‘The Day of the Doctor’ novelizations frustrating. Interesting new takes on the novelization format to be sure, but frustrating when identifying what’s similar and what’s different and when one wants the novelization to be a good counterpart to the TV story or film it’s based upon.
The novelizations are very refreshing reads/listens for the most part, and I do enjoy checking them out when I can. I hope to gain a satisfying experience when it comes to reviewing a novelization with analysing and evaluating what’s similar, new and different. I enjoyed the two ‘Daleks’ Master Plan’ novelizations/audiobooks by John Peel very much and hope to check out ‘The Trial of a Time Lord’ novelizations/audiobooks someday when I get a chance.
Many thanks,
Best wishes,
Tim 🙂
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